“…In the bias of a method originally aimed at "self-defense", a considerable number of authors (n = 18) define it as such. 2,6,[8][9][10][11][12]21,22,[27][28][29][30]32,[47][48][49][50] Addressing Krav Maga as a "fighting" method (n = 12), and, as such, an organized and systematized process of physical and psychological improvement, in its morphological and functional aspects, impacting directly on the ability to perform tasks that involve psychomotor demands, whether they are sports or not, the following stood out 3,26,39,[40][41][42][43][44][45][46]51,52 In the context of Krav Maga as "hand-to-hand combat" (n = 7) for issues of personal and collective defense and safety, this group of authors 8,9,11,13,29,49,53 Another group defined it as a method for "Self Defense Art" (n = 4), highlighting 23,24,36,50 for its application and personal protection, in academies and training centers with militarized culture. And also, individualized conceptions emerged and distinct from the others (n = 3), relating it to the Cultural and Immaterial Heritage of Israel 1,20,21 and, finally, as a hybrid system.…”