The rise of the giant internet-content sharing sites in the digital age has created new challenges for copyright law. One of these complicated issues is the concept of value gap especially related to music and film sector. In this new framework, rightholders face difficulties when seeking to license their rights and be remunerated for the online distribution of their works. The value gap describes the growing mismatch between the value that user upload services, such as YouTube and the revenue returned to the right holders and their communities. On 26 March 2019, the European Parliament endorsed the Directive on copyright in the Digital Single Market. The Directive was approved by the Council of the European Union on 15 April 2019. The Directive includes provisions intented to rebalance the transfer of value which currently benefits certain online content sharing sites to the detriment of creators of content. The Draft Directive's provisions on value gap, recitals 38 and 39 and Article 13, were heavily criticized by internet actors. However, much of the criticisms in question was eliminated in the text of the adopted Directive. In practice, the concept of value gap and the problems with the sector arise in general in relation to the music sector. In this respect, an examination will be made based on the music sector.