No place like home

Graefer, Anne

doi:10.1177/1749602017734129

Cited by 2 publications

(1 citation statement)

References 30 publications

(32 reference statements)

Supporting

Mentioning

Contrasting

Order By: Relevance

“…(Asaari & Aziz, 2013) This discourse analysis research focuses on word repetition in various media, which will inspire the audience in living their own lives. (Graefer, 2018), continuous repetition by the media, something will 'stick' or be attached to a particular group.…”

Section: Methodological Approachmentioning

confidence: 99%

Illegitimate Pelakor in TV Soap Opera

Dwita¹,

Mayasari²,

Sjuchro³

2019

Proceedings of the International Conference of CELSciTech 2019 - Social Sciences and Humanities Track (ICCELST-SS 2019)

View full text Add to dashboard Cite

This study is motivated by curiosity about the term 'pelakor' which is developing in Indonesia. Previously, the term affair and another desirable woman are commonly known, but now the term 'pelakor' is attached to the women who seize men from their female partners. One of the agents who participate in socializing a term that develops in society is media. This study seeks to explain how the power of television constructs the term 'pelakor' by analyzing a soap opera program entitled 'Orang Ketiga' that airs on SCTV. This study is looking for a discourse in television soap opera that is believed to contribute to the socialization of the word 'pelakor'. This study uses a qualitative method with Sara Mills's Critical Discourse Analysis approach, which sees that television can be a social practice that shapes the social world. This study is important because it has never been conducted before and contains novelty. The result of this research indicates that the soap opera 'Orang Ketiga' is one of the agents that puts the discourse of the word 'pelakor' into a regulated statement.The word 'pelakor' becomes a discourse that is believed by the community as a word that is pinned to the female usurper. The 'contested' man is placed in a neutral position. The position of the subject is in the soap opera script writer and also the audiences. While the position of the object is in the main actor, who plays the 'pelakor'.

show abstract

Section: Methodological Approachmentioning

confidence: 99%

Illegitimate Pelakor in TV Soap Opera

Dwita¹,

Mayasari²,

Sjuchro³

2019

Proceedings of the International Conference of CELSciTech 2019 - Social Sciences and Humanities Track (ICCELST-SS 2019)

View full text Add to dashboard Cite

show abstract

A Socialist Superwoman for the New Era

Wang¹,

Mihelj²

2019

Feminist Media Histories

View full text Add to dashboard Cite

This paper examines changing representations of women in Chinese television dramas since the early 1990s and interprets them within a framework of global socialist media cultures, considering both domestic developments and transnational trends. Drawing on the analysis of three selected dramas, it traces the trajectory of televised femininity from exemplary socialist worker-citizens devoted to family and community, to more individualized middle-class urbanites. It is tempting to see this transformation as an outcome of China's integration into the global capitalist economy, the attendant retreat of the party-state from the private realm, and the infusion of Western cultural gender ideals. Yet this interpretation downplays important continuities, and misses intriguing parallels with TV dramas produced in socialist Eastern Europe. The argument pays particular attention to the enduring appeal of the socialist-style superwoman who shoulders the double burden of a professional career and unpaid domestic work while also acting as a discerning citizen-consumer.

show abstract

No place like home

Cited by 2 publications

References 30 publications

Illegitimate Pelakor in TV Soap Opera

Illegitimate Pelakor in TV Soap Opera

A Socialist Superwoman for the New Era

Contact Info

Product

Resources

About