“…Ethnographic, ethnohistorical and archaeological evidence indicates that herders rarely utilized camelids just for food, but they have played important ceremonial (e.g., sacrifices, offerings, feasts), socio-political (e.g., prestige and exchange goods) and economic (e.g., caravan traffic, ch'arki meat, wool) roles (Aschero, 2000;Berenguer, 1995;Berenguer and Martínez, 1989;Broughton, 2010;Cartajena and Núñez, 2006;Castro, 1986;Dransart, 1999;Flores Ochoa, 1974, 1977Gallardo, 2009;Gladwell, 2009;Goepfert, 2010Goepfert, , 2012Grebe, 1984;Isbell, 1974;Lecoq and Fidel, 2003;Mariscotti, 1978;Martel, 2010;Murra, 1975;Nielsen, 2001;Tomoeda, 1993;Valenzuela, 2013;Van Kessel, 1976;Yacobaccio and Vilá, 2013;Zuidema and Urton, 1976). We think that the camelids in the rock art studied were a means to ideologically materialize and reinforce the importance 4 The origin and local development of the textile production of hunter, gatherer, fisher and agricultural societies of the study zone, despite external influences, is widely supported in the technological traditions as well as in the presence of objects related to textile manufacture such as yarns, fleece, balls of yarn, sewing boxes, spindles, whorls and wichuñas.…”