“…Teaching would be conceived as a complex system of interactions among musical contents, instrument, teacher and student, the aim of which would no longer be to reproduce a certain kind of sound, but rather, to construct mental abilities enabling learners to manage their own mental activity to produce the sound appropriate to their communicative goals (Casas & Pozo, 2008;Marín, et al, in press;Torrado & Pozo, 2008;Bautista, et al, 2011). Conceptions of teaching, learning and evaluation at music conservatories: the role of teaching experience A study by Torrado (2003;Torrado & Pozo, 2008) on teachers of string instruments at Spanish conservatories identified the three implicit theories described (direct, interpretative and constructive), and found, as did other studies conducted in other domains (e.g. Martín, Pozo, Mateos, Martín & Pérez Echeverría, submitted;Olafson & Schraw, 2006;Tsai, 2002) that teachers do not hold the same conception regarding all the dimensions of their teaching practice (e.g.…”