Limited Creativity as a Form of Minangkabau Traditional Randai Preservation

Yuda, Fabio; Winangsit, Emah; Hidayat, Hengki Armez; Sinaga, Fajry Sub'haan Syah

doi:10.2991/assehr.k.200819.076

Cited by 7 publications

(9 citation statements)

References 3 publications

(3 reference statements)

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“…Biasanya faktor sosial yang sedang berkembang menjadikan sebuah ide yang dapat dibicarakan dalam sebuah karya musik(Ahimsa- Putra, 2015;Wimbrayardi, 2019). Musik jika dihubungkan dengan bahasa dapat mendatangkan kepuasan dan perasaan-perasaan tertentu terhadap nilai-nilai budaya(Fajry Sub'haan Syah Yuda et al, 2020). Setiap pencipta lagu selalu menyampaikan makna dan pesan yang terkandung dalam lirik lagu disetiap baitnya.…”

Section: Pendahuluanunclassified

Analisis Bentuk dan Struktur Lagu Genit Karya Tipe-X

Alamsyah

Lumbantoruan

2022

musikolastika

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Genit is a work of music popularized by a local Indonesian music group, type-x. This work is very interesting to study in the perspective of musicology because there are so many ornaments that are the character of the Type-X music group. This study aims to analyze the shape and structure of a song called flirtatious by a Type-X music group. The research conducted is qualitative research with a systematic textual analysis approach, objectivity, and generalization using a musicological approach. This research data was collected from literature study activities, observations, and labor work. Data analysis is carried out by means of data reduction, data analysis and drawing conclusions. Based on the analysis of flirty songs by type-x, it is concluded that the form of the song consists of two parts, namely (A-B) which is carried out by the development of the period, namely (A, A', B' A1). In detail the phrases in each period are A(a-a') A'(a-x) B(y-z) A1(a-b) with a sum of 4 antecedent phrases and 4 consequent phrases. The motifs contained in the flirty song there are 10 motifs with the processing of motifs in literal repetition, inversion, interval reduction, reduction of tone values and enlargement of tone values, the motifs are m, n, m1, n', p, q, r, p1, r1, x. The lyrical relationship form in this song is dominated by the relationship form silabik with one word representing one note.

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Section: Pendahuluanunclassified

Analisis Bentuk dan Struktur Lagu Genit Karya Tipe-X

Alamsyah

Lumbantoruan

2022

musikolastika

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“…The faster the tempo of the music, the tighter the movement presented and vice versa. Every hand movement that resembles a galombang still maintains the technique of hand position in Silek to be an aesthetic movement (Yuda et al, 2020).…”

Section: Silek In Minangkabau Tradition Dancementioning

confidence: 99%

The Role Of Silek In Traditional And Modern Dance In Minangkabau

Rosalina

Solfema

Hadiyanto

et al. 2022

IJHESS

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This paper discusses the role of silek in the development of dance in Minangkabau. Silek became the root in the creation of dance movements. Starting from traditional dances such as pasambahan dance, galombang dance, piriang dance, to modern dance with a contemporary style. Every aspect of the initial movement to the final movement, Minangkabau dance is inseparable from the silek element that dominates and becomes a characteristic. Although the pattern of modernity affects the social life of the community, it does not change the belief in shifting the existence of silek in the creation of Minangkabau dance works. This study examines how important silek is in dance in Minangkabau. Through qualitative research methods, it will be seen from every aspect of silek and its development by observation, observation and interview. The development of dance in Minangkabau is seen from the intensity of society which always develops silek on dance and makes dance a medium to express meaning in the order of life.

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“…The issue of Randai continues to emerge along with the many results of research on Randai, where Randai is an abstract theater in which the show does not use a stage setting (Arsih et al, 2019) and (Yuda et al, 2020). Maryelliwati (2019) confirms that Randai is played in an arena close to the players and the audience and is a form of collaboration between elements of the performing arts.…”

Section: Introductionmentioning

confidence: 95%

Changes in Form and Style in Randai Performance at The Minangkabau Diaspora in Malaysia

Indrayuda

Samsuddin

2022

Harmonia

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This article reveals the changes in form and style of the Randai performance performed by the Minangkabau’s diaspora in Malaysia. The novelty of this research is the study of changes in forms and styles in Randai carried out by the Malaysian Minangkabau diaspora. The disconnection of socio-cultural communication and the long distance between Minangkabau and Peninsular Malaysia impacts the shift in forms and styles of Randai in the Minangkabau diaspora. This research was conducted qualitatively by designing research works such as pre-field studies, by collecting preliminary data based on a diffusion approach. In the field stage, the informants were selected by snowball sampling. The interview and observation instruments were designed based on the performance structure and performance procedures. Researchers conducted data analysis using the techniques recommended by Spradley, namely: (1) domain analysis, (2) taxonomic analysis, (3) componential analysis, and (4) discovering cultural themes. The study results revealed that the forms and styles were caused by mixing cultures between the diaspora and the Malaysian Malays. These changes were done so that the local community could accept Randai. In addition, Randai can be easily learned and cultivated by the Malay Malays and easily expressed by the Malaysian community and the Minangkabau diaspora as the perpetrators of Randai. These changes occur through a process of adaptation and acculturation. The implication of this research is the emergence of a new Randai model, namely Randai, which refers to local culture, both from the aspect of the story, Silat style, and music, as an identity and tradition for the Malaysian Minangkabau diaspora for the future.

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Limited Creativity as a Form of Minangkabau Traditional Randai Preservation

Cited by 7 publications

References 3 publications

Analisis Bentuk dan Struktur Lagu Genit Karya Tipe-X

Analisis Bentuk dan Struktur Lagu Genit Karya Tipe-X

The Role Of Silek In Traditional And Modern Dance In Minangkabau

Changes in Form and Style in Randai Performance at The Minangkabau Diaspora in Malaysia

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