“…MECs are often mentioned in the literature on music and emotion, but at the time of writing, there are only three short reviews entirely dedicated to MECs (Grewe et al, 2009b; Harrison & Loui, 2014; Mori & Iwanaga, 2014a), one review about MECs and the autonomous sensory meridian response (del Campo & Kehle, 2016), one review about MECs and music therapy (Tihanyi, 2016), one philosophical essay about MECs and musical esthetics (Levinson, 2006), two book chapters discussing MECs within the context of musical expectation (Huron & Margulis, 2010) and of the evolutionary basis of music (Altenmüller et al, 2013), and book chapters on music and emotion which contain subsections on MECs (e.g., Corrigall & Schellenberg, 2013, 2015; Hodges, 2016, Hunter & Schellenberg, 2010; Juslin, 2019; McDermott, 2012; Sachs et al, 2018; Stark et al, 2018; Vuust & Kringelbach, 2010).…”