Le « dialogocentrisme » humaniste : D’Utopia de Thomas More (1516) au Cymbalum mundi de Bonaventure Des Périers (1537)

Vallée, Jean-François

doi:10.4000/books.pufr.8183

Cited by 2 publications

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“…these modern amputations and reconfigurations of More's book are symptomatic of the individualistic, linear, and sealed-off conception of the "book" and the "author" that came to dominate the Gutenberg Galaxy from the seventeenth century on. A more careful look at the four earliest editions of Utopia (published between 1516 and 1518), however, reveals the highly sophisticated (and interalogical) textual and editorial structure of this fundamentally "dialogocentric" (Vallée, 2015) Vallée A Dialogue with Interality Humanist work that also invents the interalogical idea of utopia which Louis Marin (1973) has equated with the "realm of the neutral [that] stands outside as something separate but is also a transition … a gap, a space that has no knowable ontological ground" (Hetherington, 1997, p. 67).…”

Section: The Dialogical (No-) Space Of Utopiamentioning

confidence: 99%

A Dialogue between Dialogism and Interality

Vallée

2016

Canadian Journal of Communication

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Dialogue and dialogism offer one of the most promising paths to interality in the West. Concentrating on the Renaissance tradition of the Humanist dialogue and more recent philosophical practices and theories of dialogue in the twentieth century, this article argues—most notably through a close examination of two major literary and philosophical works: Thomas More’s Utopia and Robert Musil’s Man without Qualities—that one can trace an (interrupted) line between these two transitional historical periods, set at both ends of the “Gutenberg parenthesis,” when relational, dialogic, and thus potentially “interalogical” modes of writing, thinking, and being came to the forefront.Les figures du dialogue et du dialogisme offrent une des voies les plus prometteuses pour approcher la notion d’interalité en Occident. En évoquant la tradition humaniste du dialogue de la Renaissance et les formes plus récentes de pratiques et de théories dialogiques du 20e siècle, cet article trace—à travers notamment une analyse plus approfondie de deux œuvres littéraires et philosophiques majeures : L’Utopie de Thomas More et L’Homme sans qualités de Robert Musil—une ligne (interrompue) entre ces deux périodes historiques transitionnelles, placées à chaque extrémité de la « parenthèse Gutenberg », alors qu’ont émergé des formes d’écriture, de pensée et d’être relationnelles, dialogiques et donc aussi potentiellement « interalogiques »

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Section: The Dialogical (No-) Space Of Utopiamentioning

confidence: 99%