2019
DOI: 10.1186/s40494-019-0284-8
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Laser cleaning of paintings: in situ optimization of operative parameters through non-invasive assessment by optical coherence tomography (OCT), reflection FT-IR spectroscopy and laser induced fluorescence spectroscopy (LIF)

Abstract: Nowadays the use of laser technology as a highly precise tool for the cleaning of paintings is gaining ground. The development of a non-invasive analytical protocol aimed at thorough assessment of the treated surfaces and real time monitoring of the laser cleaning action is thus becoming imperative. This ensures that no side effects (e.g. discoloration, darkening, blackening) will occur on the painting surfaces due to laser ablation. In the present study the potential of the combined use of optical coherence t… Show more

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Cited by 23 publications
(17 citation statements)
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“…The most common restoration technique used for this purpose is with the use of solvents. OCT, especially if used together with FTIR spectroscopy examination, is capable of accurate assessment of the cleaning process [33,34]. Some tests of this kind were also performed during the aforementioned examination campaign of van Gogh's "Sunflowers" [35].…”
Section: An Overview Of Recent Applications Of Oct In Heritage Sciencementioning
confidence: 99%
“…The most common restoration technique used for this purpose is with the use of solvents. OCT, especially if used together with FTIR spectroscopy examination, is capable of accurate assessment of the cleaning process [33,34]. Some tests of this kind were also performed during the aforementioned examination campaign of van Gogh's "Sunflowers" [35].…”
Section: An Overview Of Recent Applications Of Oct In Heritage Sciencementioning
confidence: 99%
“…In the case of contemporary paintings without a protective layer, we see abundant studies that advocate finding a solution to the cleaning of this type of surface. The research of physical, chemical, mechanical and biological methods has advanced towards gelled, soapy, emulsifying and ionic systems [3,[9][10][11][12], including photoablation [13][14][15][16], with the idea of reducing the risks associated with the treatment of this type of artwork [7], in addition to the reduction of toxicity and environmental impacts. The study of phenomena caused by the use of solvents, such as leaching or extraction of soluble polymeric substances, continues to provide information on the effect that these solubilizing agents have on the pictorial films and is also linked to the washing procedures and elimination of non-volatile residues deposited by the cleaning system [17,18].…”
Section: Introductionmentioning
confidence: 99%
“…The reliable assessment of the cleaning result in-situ has been investigated using a variety of cutting-edge analytical techniques, most of the times with encouraging results 2,[6][7][8][9][10][11][12][13][14][15][16][17][18][19][20] . Nevertheless, the on-line and real time monitoring of the laser cleaning progress remains a critical open issue that attracts the interest of the scientific community working in the field of heritage science.…”
Section: Introductionmentioning
confidence: 99%
“…In this respect, the sensitivity of the technique as regards the physicochemical properties change of the involved materials, the geometry of the object to be cleaned, the time necessary for the assessment of the recorded data, the required spatiotemporal resolution, as well as, the portability and cost of the experimental equipment are particularly important parameters. Laser induced breakdown spectroscopy (LIBS) 2,[6][7][8][9][10][11] , laser induced fluorescence (LIF) 7,11,12 , multispectral and hyperspectral imaging [13][14][15] , speckle imaging 16 , digital holographic speckle interferometry 17,18 and optical coherence tomography (OCT) 19,20 are some of the analytical techniques that have been considered for the effective assessment of the treated surfaces, as well as, the in-situ evaluation of the cleaning progress. In all these studies the final aim was to monitor in real time the laser restoration interventions in a variety of applications, such as the removal of environmental crust from stone, the cleaning of salts and other deposits from wall paintings, and the elimination of aged varnish from wooden artefacts and easel paintings.…”
Section: Introductionmentioning
confidence: 99%