A brief introduction to Optical Coherence Tomography (OCT) is presented, stressing the origin of the tomographic signal and the detection methods defining various modalities of the technique. The parameters of the tomographs, such as axial and lateral resolution, wavelength and intensity of the probing light, imaging range, time of examination, and sensitivity are then defined, and a paradigm for interpreting the OCT tomograms provided. The second part of the article comprises a review of the utilisation of OCT for structural examination of artworks, illustrated with some representative results. Applications to the structural imaging of semi-transparent subsurface layers such as varnishes and glazes, of underdrawings and of reverse painting on glass, are described first, and then applications in the examination of the structure and state of preservation of historic glass, jade, glazed porcelain and faience are discussed. Finally, the use of OCT combined with LIBS analysis and laser ablation of surface layers is presented.

No abstract

Identification of the order, thickness, composition, and possibly the origin of the paint layers forming the structure of a painting, that is, its stratigraphy, is important in confirming its attribution and history as well as planning conservation treatments. The most common method of examination is analysis of a sample collected from the art object, both visually with a microscope and instrumentally through a variety of sophisticated, modern analytical tools. Because of its invasiveness, however, sampling is less than ideally compatible with conservation ethics; it is severely restricted with respect to the amount of material extirpated from the artwork. Sampling is also rather limited in that it provides only very local information. There is, therefore, a great need for a noninvasive method with sufficient in-depth resolution for resolving the stratigraphy of works of art. Optical coherence tomography (OCT) is a noninvasive, noncontact method of optical sectioning of partially transparent objects, with micrometer-level axial resolution. The method utilizes near-infrared light of low intensity (a few milliwatts) to obtain cross-sectional images of various objects; it has been mostly used in medical diagnostics. Through the serial collection of many such images, volume information may be extracted. The application of OCT to the examination of art objects has been in development since 2003. In this Account, we present a short introduction to the technique, briefly discuss the apparatus we use, and provide a paradigm for reading OCT tomograms. Unlike the majority of papers published previously, this Account focuses on one, very specific, use of OCT. We then consider two examples of successful, practical application of the technique. At the request of a conservation studio, the characteristics of inscriptions on two oil paintings, originating from the 18th and 19th centuries, were analyzed. In the first case, it was possible to resolve some questions concerning the history of the work. From an analysis of the positions of the paint layers involved in three inscriptions in relation to other strata of the painting, the order of events in its history was resolved. It was evident that the original text had been overpainted and that the other inscriptions were added later, thus providing convincing evidence as to the painting's true date of creation. In the second example, a painting was analyzed with the aim of confirming the possibility of forgery of the artist's signature, and evidence strongly supporting this supposition is presented. These two specific examples of successful use of the technique on paintings further demonstrate how OCT may be readily adaptable to other similar tasks, such as in the fields of forensic or materials science. In a synergistic approach, in which information is obtained with a variety of noninvasive techniques, OCT is demonstrably effective and offers great potential for further development.

Higlights:• Reflection FTIR spectroscopy and OCT, when used together, enhance insight into the details of cleaning of easel paintings • FTIR complements OCT structural images by providing crucial information on the chemical composition of superficial layers • OCT complements the FTIR spectral data with information on the thicknesses of layers, both removed and left • This integrated approach increases the safety of the cleaning treatment. AbstractAlthough the solvent removal of unwanted layers (e.g. aged varnishes, overpaints, oxalate patinas, dirt from easel paintings is one of the most frequently performed restoration treatments it is questioned regarding its controllability and safety to the artwork. There is thus a need for developing suited diagnostic methodologies able to inform restorers on the chemical, optical and morphological effects of cleaning. To this aim, we have explored the possibility of complementary use of Optical Coherent Tomography (OCT) and reflection FTIR. On the one hand, the OCT technique provides cross-sectional images with varnish layers visible and thus permits for measurement of their thicknesses. Combining many cross-sections into 3D data provides insight into the varnish thickness distribution over a given area of the paintings. On the other hand, reflection FTIR allows for a chemical characterization of the surface compounds revealing the nature of the varnish and monitoring its removal. Artificially aged model samples and two historical paintings were investigated at different steps of solvent cleaning tests and the results of the two techniques compared highlighting the benefits of their combined exploitation.