Intra and Intersentential Code-switching Phenomena in Modern Malay Songs

Rusli, Wan Nur Syaza Sahira Wan; Shaari, Azianura Hani; Zainuddin, Siti Zaidah; Shi, Ng Lay; Amin, Aizan Sofia

doi:10.17576/3l-2018-2403-14

Cited by 5 publications

(7 citation statements)

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“…The research classified each type of code-switching and code-mixing, then reconstructed how English was used in the song. The theory of code-switching is also applicable outside the Korean context, such as a study by Rusli et al (2018) that used the theory to detect and uncover functions or motivation behind the usage of English lyrics in Malaysian songs, similar to research by Likhitphongsathorn and Sappapan (2013) in Thai songs and Kadir (2021) in Indonesian songs.…”

Section: Tag-switching Oh Ije Nan Eodiromentioning

confidence: 99%

“…Adapting previous studies (Jocelin & Tryana, 2019;Likhitphongsathorn & Sappapan, 2013;Rusli et al, 2018;Sea, 2018), Poplack's code-switching theory (1980 was employed to find out the placement of the switch and the types of code switches, as well as identify linguistic structure, including phonetics, phonology, morphology, and syntax. The phonetics and phonology were discussed mostly in the comment analysis by comparing the standard English with mispronunciations heard by the audience, whilst all morphology and syntax discussions were in the code-switching analysis and English usage and function sections to examine how proper the English used in the songs and whether there are Konglish or not.…”

Section: Tag-switching Oh Ije Nan Eodiromentioning

confidence: 99%

“…The song "Knock", on the other hand, has tag-switching, followed by intra-sentential and inter-sentential. Based on Daoh (2016) (as cited in Rusli et al, 2018), the most frequent codeswitching type is inter-sentential switching, but the three songs show otherwise with none containing it as the highest number. The only aspect that is similar with previous studies, such as research by Jocelin and Tryana (2019), is how tag-switching is the least used type.…”

Section: Indonesian Journal Of Applied Linguistics 12(2) September2022mentioning

confidence: 99%

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“Such a Good Night”: Analyses of Korean-English code-switching and music video comments of ASTRO’S songs

Berliana¹,

Anjarningsih²

2022

Indonesian J. Appl. Linguist.

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To attract global multilingual audiences, English lyrics had been included in K-Pop songs for decades as a strategy (Lauren, 2018; Sea, 2018). This paper analyzed the English usage of “All Night”, “Blue Flame”, and “Knock” by ASTRO, a third-generation K-Pop group from a non-mainstream agency to examine code-switching and the global recognition of K-Pop songs. All songs were examined by using code-switching theories from Poplack (1980) and Bullock and Toribio (2009) and other theories on function analysis by Lawrence (2010) and Lee (2004) and comment analysis by Fernandez-Martinez et al. (2014) and Kwon (2019). The findings revealed that the majority of code switches in “All Night” and “Blue Flame” were inter-sentential, yet “All Night” and “Knock” were more similar in utilizing English by having a new function (i.e., emphasizing a dialog from one’s perspective), an important addition to Lee’s (2004) functions. Furthermore, from the usage and function analysis and the comment analysis, the audience responses seemed to be influenced by the singers’ mispronunciations and the non-existence of a new function that failed to create uniqueness in English usage in “Blue Flame,” which may have led to the song’s failure to win awards. In conclusion, the research suggested that, in the near-absence of promotional support from the agency, the interplay among the number of switches, accurate pronunciations, and a new English-switching function seemed to play an important role in making “All Night” and “Knock” popular among multilingual audiences.

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Section: Tag-switching Oh Ije Nan Eodiromentioning

confidence: 99%

Section: Tag-switching Oh Ije Nan Eodiromentioning

confidence: 99%

Section: Indonesian Journal Of Applied Linguistics 12(2) September2022mentioning

confidence: 99%

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“Such a Good Night”: Analyses of Korean-English code-switching and music video comments of ASTRO’S songs

Berliana¹,

Anjarningsih²

2022

Indonesian J. Appl. Linguist.

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“…The factors that he finds out include the speakers, interlocutors, changes in the situation due to the third person, changes in the topic, and humor. Other studies (Martin-Anatias 2019; Martin-Anatias 2018a; Martin-Anatias, 2018b; Rusli, Shaari, Zainuddin, Shi, & Amin, 2018;Yusuf, Fata & Chyntia 2018) have also investigated code-switching in songs, newspapers, and novels.…”

Section: Introductionmentioning

confidence: 99%

Code-Switching in Multilingual Roving People’s Conversations

Bramantoko

Ardi

2023

IJHS

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This paper aims at analyzing the types of code-switching in the conversation of multilingual roving people, who move from one country to another country. The participants of this qualitative research were five multilingual roving people. Audio recordings and interviews were used to collect the data. The results reveal that the types of code-switching employed by the multilingual roving people were intra-sentential switching, inter-sentential switching, situational switching, and metaphorical switching. The researchers also found that the factors influencing the multilingual roving people in switching the codes included the speaker, interlocutors, changes in the situation because of the third person, and changes in the topic. The researchers concluded that the type of code-switching that appeared the most was intra-sentential switching and the most influencing factor why the participants did code-switching was the interlocutors.

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“…Nowadays, the presence of English as a foreign language taught in schools shapes the occurrence of Indonesian-English codeswitching phenomena in Indonesia. The mixture between English and Indonesian are often found in several genres, such as films, songs, newspapers, and novels (Adityanto, 2012;Martin-Anatias, 2019;Martin-Anatias, 2018;Martin-Anatias, 2018b;Rusli et al, 2018;Yusuf et al, 2018). As English is an international language, the mixed use of Indonesian and English in the texts shows that Indonesian people "live in both local and global worlds" (Martin-Anatias, 2018a).…”

Section: Introductionmentioning

confidence: 99%

Indonesian-English Code-Switching in Gogirl! Magazine: Types and Features

Febiyaska¹,

Ardi²

2019

JELTL

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The present study investigates the types and features of Indonesian-English code switching in GoGirl! Magazine of March to May 2016 editions. Content analysis was employed in this study. The results of the analysis revealed that 1.355 cases of Indonesian-English code switching appeared in the magazines. The types of code-switching included alternation, insertion, and congruent lexicalization. The features of code switching in the magazines were several constituents, non-nested a b a, length and complexity, discourse particles and adverbs, peripherality, single constituent, nested a b a, content words, linear and structural equivalence, multi-constituent code-mixing, non-constituent mixing, and triggering. The researchers concluded that the mostly used type was alternation and non-nested a b a is the mostly used feature in GoGirl! Magazine.

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Intra and Intersentential Code-switching Phenomena in Modern Malay Songs

Cited by 5 publications

References 0 publications

“Such a Good Night”: Analyses of Korean-English code-switching and music video comments of ASTRO’S songs

“Such a Good Night”: Analyses of Korean-English code-switching and music video comments of ASTRO’S songs

Code-Switching in Multilingual Roving People’s Conversations

Indonesian-English Code-Switching in Gogirl! Magazine: Types and Features

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