1998
DOI: 10.2307/2653513
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In Defense of Mereological Universalism

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Cited by 118 publications
(21 citation statements)
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“…8 He then uses temporal parthood at a time to confirm that his account says what perdurantists want to say; he claims that his account of perdurance entails that perduring things have a temporal part at every time at which they exist ( [13], pp. 205-6).…”
Section: I2 Sider's Neutral Accounts Of Temporal Parthood and Parthomentioning
confidence: 91%
“…8 He then uses temporal parthood at a time to confirm that his account says what perdurantists want to say; he claims that his account of perdurance entails that perduring things have a temporal part at every time at which they exist ( [13], pp. 205-6).…”
Section: I2 Sider's Neutral Accounts Of Temporal Parthood and Parthomentioning
confidence: 91%
“…An improper part of an object o just is o. 174 Thus; no purely contingent fact exists in every single world… 5 I believe there are complex purely contingent facts that are mereological fusions of simple purely contingent facts (see Rea (1998) and van Cleve (2008) for arguments for mereological universalism). Let us call the sum of all purely contingent facts a maximal purely contingent fact.…”
Section: The Setupmentioning
confidence: 98%
“…Insofar as Sider is arguing for unrestricted composition, his argument is aimed at those who initially take seriously some other theory of 15 Compare this with the view defended in Markosian (1998). 16 The main lesson of Rea (1998) is that if one holds that being arranged artifact-wise (where this is at least partly an extrinsic matter) is sufficient for composing something, then one must either accept unrestricted composition or admit that extrinsic factors are at least sometimes relevant to whether composition occurs. The reason for this is that (plausibly) for any things, no matter what they are like intrinsically and no matter what their internal arrangement, it is possible that things intrinsically just like those, in just that internal arrangement, be arranged artifact-wise (because, say, some artist put them in precisely that arrangement in fulfillment of a very detailed artistic vision).…”
Section: Objections and Repliesmentioning
confidence: 99%