Impactos oro-faciais associados à utilização de instrumentos musicais

Frias-Bulhosa, José

doi:10.1016/j.rpemd.2011.11.001

Cited by 3 publications

(5 citation statements)

References 46 publications

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“…This reveals that some of these individuals may present anatomical characteristics that do not facilitate the practice of the instrument. They thus tend to perform these compensations, which can negatively affect the orofacial complex 4 . This points to the need for oral health professionals to provide information about the possible effects that may be caused by playing wind instruments, which could minimize secondary symptoms that can affect the SS 21 .…”

Section: Discussionmentioning

confidence: 99%

“…Therefore, the use of wind musical instruments should be a matter of particular attention, as they can be a potential source of pathological changes in the structures and functions of the stomatognathic system. This poses an important challenge for the prevention and treatment of orofacial complications among these individuals, as these complications can lead to chronic sequelae preventing musical practice, with inherent professional repercussions 4 .…”

Section: Discussionmentioning

confidence: 99%

“…The constant use of musical instruments, especially wind instruments, is one of the causes of orofacial complications. Thus, wind musicians are exposed to work-related risk factors 4 .…”

Section: Introductionmentioning

confidence: 99%

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Orofacial myofunctional changes and electromyographic activity of the orbicularis oris muscle in trombonists

et al. 2021

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Objective: to analyze whether trombonists present orofacial myofunctional changes and compare the electrical activity of the orbicularis oris muscle before and after playing their instrument. Methods: an observational, descriptive, and cross-sectional study. The sample consisted of 20 university trombonists. Data collection involved three steps: application of a questionnaire investigating some peculiarities of trombonists (Orofacial Myofunctional Evaluation with Expanded Scores - OMES-E), and electromyographic analysis of the orbicularis oris muscle before and after performing a piece with the trombone. The mean, standard deviation, frequency, and percentage were calculated, and the paired Student’s t test was used to compare the means of the electromyographic records before and after playing the trombone, at a 5% significance. Results: seventy per cent of trombonists reported some symptom of orofacial myofunctional alteration, namely, muscle compensations, tension, and pain. The myofunctional evaluation showed a mild change in cheek volume (90%) and labial commissure asymmetry (60%). The electrical activity of the lower orbicularis oris muscle decreased significantly after the trombone practice (p = 0.04), while that of the superior orbicularis oris muscle remained unchanged. Conclusion:trombonists show clinical and self-reported oromyofunctional changes as well as decreased electrical activity of the lower orbicularis oris muscle, after playing the trombone.

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Section: Discussionmentioning

confidence: 99%

Section: Discussionmentioning

confidence: 99%

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Orofacial myofunctional changes and electromyographic activity of the orbicularis oris muscle in trombonists

et al. 2021

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“…Over the last number of years, some habits have been proven to interfere with oral health status and performance negatively and affect attached structures, causing or exacerbating temporomandibular disorder [5], [6]. Although the available literature of the etiology of temporomandibular dysfunction is still poorly understood, playing a musical instrument that overloads the stomatognathic system and requires a long-term adoption of a non-physiological posture has been suggested to be a significant etiological factor of temporomandibular dysfunction [7], [8].…”

Section: Introductionmentioning

confidence: 99%

Temporomandibular disorders among wind musical instrument players: an integrative review

Silva¹,

Valério²,

Nascimento³

et al. 2021

Jaw funct. orthop., craniofac. growth

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Dysfunction of the stomatognathic apparatus is a disturbance of the biomechanics of the masticatory system and craniofacial structure, usually generated by tissue damage of its main components (temporomandibular, neuromuscular, and dental-occlusal system, besides in the craniocervical spine) when the morphofunctional adaptability is exceeded. Musical activity is well-known as one of the most complex activities executed by the human musculoskeletal system, as practitioners require to adopt a non-physiological posture. Therefore, by performing an integrative review of the available literature, this study aimed to investigate the potential relationship between temporomandibular disorders and the practice of wind musical instruments. We included peer-reviewed primary studies published in the last ten years, either in English, Portuguese, or Spanish, and with a full-text available. We searched four databases (PubMed, LILACS, Scielo, and Portal Capes), using a specific search strategy using the terms "wind instrument players", "oral parafunction", and "temporomandibular disorders". We excluded articles published before 2011, studies that did not correlate temporomandibular disorders with wind music practice, as well as studies without a full text. Overall, the search retrieved ten primary studies, including 3,206 amateur and professional wind instrument players. Included studies were essentially cross-sectional studies ( 8) and case-control studies ( 2). The most common signs and symptoms of temporomandibular disorder and deleterious oral habits among wind players were crackling and popping sounds of the temporomandibular joint, headache, should and neck pain, mouth opening limitation, and temporomandibular joint pain. Three studies identified factors that were statistically associated with the development of temporomandibular disorders (presence of temporomandibular pain, mouthpiece pressure, and higher distance of mandible protrusion). Although we have observed a high prevalence of temporomandibular diseases among musicians who play wind musical instruments, further research is required to clarify better variables and risk factors associated with developing several systemic and oral-related diseases among these individuals.

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“…No entanto, existe uma escassez de estudos sobre o desenvolvimento de lesões ocupacionais, nomeadamente, em instrumentistas de sopro [1][2][3][4][5][6] . As lesões ocupacionais a que estes estão sujeitos podem muitas vezes interferir com a sua habilidade técnica e performativa, podendo mesmo pôr termo à carreira profissional 7,8 .…”

Section: Introductionunclassified

Estudo de prevalência das disfunções temporomandibulares articulares em estudantes de instrumentos de sopro

Barbosa

Rodrigues

Manso

2015

Revista Portuguesa de Estomatologia, Medicina Dentária e Cirurg

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r e v p o r t e s t o m a t o l m e d d e n t c i r m a x i l o f a c . 2 0 1 5;5 6(1):25-33 informação sobre o artigo Historial do artigo: Recebido a 29 de abril de 2014 Aceite a 24 de novembro de 2014 On-line a 25 de fevereiro de 2015 Palavras-chave: Doenças ocupacionais Desordens por trauma cumulativo Música Desordens da articulação temporomandibular Dor facial r e s u m o Objetivo: Este trabalho teve como objetivo avaliar a prevalência de disfunç ões temporomandibulares (DTM) articulares em músicos de instrumentos de sopro e determinar a relação existente entre a prática de um instrumento musical de sopro e o desenvolvimento das DTM. Métodos: Foi realizado um estudo observacional descritivo, transversal, para determinar a prevalência de DTM articulares em estudantes de instrumentos de sopro da Escola Profissional de Artes da Beira Interior (Covilhã), utilizando a versão portuguesa dos Research Diagnostic Criteria for Temporormandibular Disorders e avaliar possíveis fatores de risco associados. A análise foi realizada com o IBM © SPSS © Statistics vs.20.0 (␣ = 0,05).Resultados: Verificou-se uma prevalência de 68,3% indivíduos com diagnóstico de DTM articular, dos quais 29,3% apresentava anteposição discal (AD) com redução, 14,6% AD sem redução sem limitação de abertura, 17,1% diagnóstico de artralgia, 24,4% de osteoartrite e 19,5% de osteoartrose. Nenhum aluno observado apresentava diagnóstico de AD sem redução com limitação da abertura. Foi detetada diferença significativa na idade dos executantes de sopro por diagnóstico de disfunç ões do complexo côndilo-disco (ANOVA, p = 0,014), sendo que os que não têm diagnóstico são significativamente mais jovens que os que apresentam AD com redução (T. Scheffé, p = 0,021), mas não existe diferença significativa entre os que apresentam AD sem reduç ão/sem limitação com os restantes. O tipo de instrumento não está significativamente associado (p > 0,05) ao diagnóstico.Conclusão: Os fatores de risco, análise multivariada, associados às DTM articulares foram a idade e a interação entre esta e o número de anos de prática do instrumento musical.

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Impactos oro-faciais associados à utilização de instrumentos musicais

Cited by 3 publications

References 46 publications

Orofacial myofunctional changes and electromyographic activity of the orbicularis oris muscle in trombonists

Orofacial myofunctional changes and electromyographic activity of the orbicularis oris muscle in trombonists

Temporomandibular disorders among wind musical instrument players: an integrative review

Estudo de prevalência das disfunções temporomandibulares articulares em estudantes de instrumentos de sopro

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