<i>Sulapa Eppa</i> As The Basic or Fundamental Philosophy of Traditional Architecture Buginese

Yudono, Ananta; Harisah, Afifah; Sir, Moh. Mochsen

doi:10.1051/shsconf/20184104005

Cited by 2 publications

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“…Belief in God is the 8 Journal of Applied Mathematics highest priority of Buginese people. This result was supported by Syarif's [17] description of the philosophy of sulapa eppa (rectangle) and by Yunus's [31] findings regarding the meaning behind Buginese traditional houses.…”

Section: Simple House I (Cubic Simple House)mentioning

confidence: 57%

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Traditional Houses and Projective Geometry: Building Numbers and Projective Coordinates

Chen

Jafaruddin

2021

Journal of Applied Mathematics

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The natural mathematical abilities of humans have advanced civilizations. These abilities have been demonstrated in cultural heritage, especially traditional houses, which display evidence of an intuitive mathematics ability. Tribes around the world have built traditional houses with unique styles. The present study involved the collection of data from documentation, observation, and interview. The observations of several traditional buildings in Indonesia were based on camera images, aerial camera images, and documentation techniques. We first analyzed the images of some sample of the traditional houses in Indonesia using projective geometry and simple house theory and then formulated the definitions of building numbers and projective coordinates. The sample of the traditional houses is divided into two categories which are stilt houses and nonstilt house. The present article presents 7 types of simple houses, 21 building numbers, and 9 projective coordinates.

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Section: Simple House I (Cubic Simple House)mentioning

confidence: 57%

“…Proponents of ethnomathematics attempt to reduce the domination of western mathematics, which is closely related to politics, stratified domination, ideology, and religion [15]. Since 1976, ethnomathematical studies have been conducted for almost every basic concept of mathematics, from algebra to geometry [15][16][17][18][19].…”

Section: Ethnomathematicsmentioning

confidence: 99%

Traditional Houses and Projective Geometry: Building Numbers and Projective Coordinates

Chen

Jafaruddin

2021

Journal of Applied Mathematics

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“…If the four elements are not in peace, harmony, and balance, disaster will befall the entire world, including humans. Because humans are the main managers of the universe who are responsible for the use of the earth and its contents, it is only natural that almost all wisdom created by humans leads to a harmony of life with the universe (Mahbud 2008, 21-22;Syarif et al 2018).…”

Section: Lontaramentioning

confidence: 99%

“…2. The arrangement of symbols of the mystical universe of classical Bugis-Makassar belief (Source: Doc Syarif et al 2018,. modified Hasbi, 2021…”

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confidence: 99%

Sappo: Sulapa Eppa Walasuji as the Ideas of Creation Three Dimensional Painting

Hasbi

2021

Dewa Ruci J. Pengkaj. dan Pencipta. Seni.

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Lontara is a traditional script of the Bugis-Makassar community, derived from the word lontar, a type of plant in South Sulawesi, which is still used and maintained. Sappo (Bugis): fence used to limit (surround, insulate) land and houses. The Bugis-Makassar community as a whole always has a Sappo / fence to protect themselves, their families, and their nation. Sulapa eppa (four sides) is a mystical form of classical Bugis-Makassar belief that symbolizes the universe’s composition, wind-fire-water-earth. Walasuji is a kind of bamboo fence in a rhombic ritual. Walasuji comes from the word wala, which means separator/fence/guard, and suji means daughter (metaphor of something of value, which must be under protection). The research aims to create three-dimensional paintings with the idea of creation, Sappo: Sulapa eppa walasuji. The symbolic expression concept borrows the Lontara tradition’s idioms, making works of metaphorical Sappo (montage) titles; Posi’ Symbolic expressions are used as research methods to create works. Researchers borrow traditional idioms as a place of expression. Symbolic abstraction works are conceptually a form of modern art by utilizing the Lontara tradition's idiom as a basic element of preparing the work. The contextual use of idioms is no longer intact because there is a degradation in the artists’ processing when interpreting symbolic forms. The expression of tradition is no longer a thematic pouring of ideas, still, as a textual symbol offered by artists to provide freedom of interpretation, Sappo: Sulapa eppa walasuji as the idea of creating paintings. The results of the study explore the elements of form and express the message conveyed through the work of three-dimensional images with the concept of creation, Sappo: Sulapa eppa walasuji, a work of metaphorical painting Sappo (montage) title: Posi, which is essentially God, as the protector of everything from the whole Sappo metaphor. Sappo, an idiom of tradition, is portrayed as a form of the symbolism of reflections on researchers’ lives visualized in the entire artwork. The visual elements used, stone, wood, bamboo, and paint, are at the same time a metaphor for the universe, which is God’s creation.

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Sulapa Eppa As The Basic or Fundamental Philosophy of Traditional Architecture Buginese

Cited by 2 publications

References 1 publication

Traditional Houses and Projective Geometry: Building Numbers and Projective Coordinates

Traditional Houses and Projective Geometry: Building Numbers and Projective Coordinates

Sappo: Sulapa Eppa Walasuji as the Ideas of Creation Three Dimensional Painting

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