Hybridity and harmony

Irving, David R. M.

doi:10.1080/13639811.2014.912408

Cited by 10 publications

(7 citation statements)

References 22 publications

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“…Another unique feature of Lagu Melayu Asli is a type of music labelled as syncretic music, which integrates several musical stylistic cultures (Matusky, 1985;Mohamed Ghouse, 1989;Nor Azura, 2014;Irving, 2014;Ismail & Ab Samad, 2015;Suflan Faidzal, 2015;Nik Shareena, 2018;Chamil Arkhasa Nikko et al, 2020;Chamil Arkhasa Nikko & Mohd Hassan, 2020;Chamil Arkhasa Nikko et al, 2021). Syncretism happened due to colonisation around the Malay Archipelago many centuries ago, overlapping with musical stylistic of Portuguese, British, and Dutch (Irving, 2014). Others also reported that Malay music influenced Asian countries like India and Arab (Munif, 2003).…”

Section: Introductionmentioning

confidence: 99%

Take a Peek! Into Lagu Melayu Asli

Arshad

Mazlan

Uyub

et al. 2022

jsm

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Every music have their own unique identities. All these inimitable feature is something that need to be expose and publish, or else it it perish. With that in mind, this paper explore or as titled suggested, “Take a Peek!” into Lagu Melayu Asli or Malay Asli song. In doing so, an extensive documents analysis was conducted as our methodology processes. After relevant documents in Lagu Melayu Asli gathered, we using qualitative content analysis technique to investigate most distinctive characters in Lagu Melayu Asli. To strengthen our arguments, personal interview were conducted. In discussion, a discourse of summarizing facts that found within literature presented in two dimensional ways, instrumentation related in Lagu Melayu Asli and musicological aspect of Lagu Melayu Asli.

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Section: Introductionmentioning

confidence: 99%

Take a Peek! Into Lagu Melayu Asli

Arshad

Mazlan

Uyub

et al. 2022

jsm

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“…Consequently, since the nineteenth century, few publications have focused on the study and practice of transcribing Malay asli traditional music, mainly for piano or flute. One of the most significant transcriptions of Malayan tunes book was published for piano by James Low in 1837 (Irving, 2014).…”

Section: Rebana Violin Flutementioning

confidence: 99%

“…Such transcriptions may provide musicians with music-analytical interpretations of the expressions of a particular music form via reliance on intercultural borrowing. The need for music transcription and arrangement emerged in the nineteenth century as a means of fostering social interaction during home entertainment activities (Casagrande, 2019;Irving, 2014;Miller-Kay, 2018). Through music transcription analysis, musicians can discover new varieties of music and come to understand the historical evolution of musical forms while developing their own critical and creative thinking skills.…”

Section: Introductionmentioning

confidence: 99%

“…'Dondang Sayang' is one of the oldest prominent songs that represents the asli musical framework, which is characterised by a lyrical improvisational style derived from the Chinese diaspora in Melaka (Chopyak, 1986;Matusky & Tan, 2017). Historically, Malay asli traditional music was transmitted orally from family, cultural community members and traditional ensemble musicians to apprentices (Irving, 2014;Isyak, 2018;Matusky & Tan, 2017;Shah, 2013).…”

Section: Introductionmentioning

confidence: 99%

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Recapitulation of Malay asli music genre transcriptions for a chamber trio employing music score analysis

Ayderova

2022

Rast Müzikoloji Dergisi

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Music transcription (transcribing music into notation form) is one of the most preferred methods of preserving traditional music, which is generally transmitted orally. The purpose of this study is to generate educational material through the collaborative analysis and editing of six music transcriptions of Malay asli music for a trio of flute, viola, and piano. This research stems from questioning whether the six transcriptions sufficiently convey traditional music characteristics and features or whether these characteristics and features need to be imitated from the original sound. The research is practice-led, employing experimental and analytical approaches combined with participants, also assuming the role of researcher and collecting data via self-observation. Following the outcome of recapitulation via artistic analysis, the six music transcriptions were edited with a modified interweaving of voices, a range of sound pitches for each musical instrument, and a classification of the rhythmic styles, music structure, and texture. The transcriptions produced resemble typical Western music scores, which are required to convey traditional music characteristics through the imitation of previously listened to audio or video recordings of traditional ensemble performances. An advanced understanding of interpreted transcriptions through artistic analysis may have significant practical benefits for music performers, educators, and learners preparing to perform this genre of music. Additionally, it might provide a future framework for scholarly work on classical ensembles.

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“…Dalam artikel ini, penulis memfokus kepada kategori muzik sinkretik, iaitu lagu Melayu Asli. Menariknya, lagu Melayu Asli ini bukan sahaja berada dalam kategori muzik rakyat mahupun muzik klasik, tetapi dalam kategori muzik sinkretik (Matusky, 1985;Za'Ba et al, 2011;Hashim, 2012;Pillai, 2013;Abu Bakar, 2014;Irving;Arshad, 2015;Ahmed & Kechot, 2015;Matusky & Tan, 2017;Mohd Rosly, 2018). Selain daripada lagu Melayu Asli, kategori muzik sinkretik juga meliputi muzik zapin, inang, joget, ghazal, dondang sayang, boria, keroncong dan bangsawan (Matusky & Tan, 2017).…”

Section: Pengenalanunclassified

Satu Tinjauan Muzikologi Lagu Melayu Asli

Mazlan¹,

Abdullah²,

Arshad³

et al. 2020

JuraiSembah

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Kajian mengenai muzik tradisional semakin mendapat tempat dalam kalangan para sarjana, khususnya melibatkan salah satu muzik Malaysia, iaitu lagu Melayu Asli. Hasilnya, terdapat banyak artikel yang mengkaji lagu Melayu Asli, baik dari kaca mata instrumentalis mahupun dari sudut nyanyian vokal. Artikel ini melampirkan tinjauan dalam lagu Melayu Asli, berfokuskan pada ciri-ciri yang terkandung di dalamnya. Metodologi yang digunakan untuk meninjau ciri lagu Melayu Asli ini menggunakan analisis dokumen kualitatif dengan pendekatan analisis kandungan daripada artikel dan diskografi lagu Melayu Asli. Bagi meningkatkan kesahan dapatan yang diperolehi daripada artikel dan diskografi, triangulasi dilakukan dengan kaedah temu bual. Rumusannya, ciri-ciri umum lagu Melayu Asli boleh dilihat dari aspek berikut: struktur asal komposisi lagu Melayu Asli berasaskan struktur AB, kemudian ditambah dengan bahagian intro, interlud dan outro. Rentak asli atau senandung ini dimainkan dalam tempo yang perlahan, sekitar 55 sehingga 75 bit per minit. Akhir sekali, ciri yang harus ada dalam komposisi lagu Melayu Asli ialah melodi pengantar lagu, iaitu satu rangkai melodi pendek yang dimainkan sebelum atau selepas melodi utama atau melodi nyanyian. Ciri pengantar lagu ini juga seperti fungsi counter-melody yang melengkapi melodi utama dalam lagu Melayu Asli.

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Hybridity and harmony

Cited by 10 publications

References 22 publications

Take a Peek! Into Lagu Melayu Asli

Take a Peek! Into Lagu Melayu Asli

Recapitulation of Malay asli music genre transcriptions for a chamber trio employing music score analysis

Satu Tinjauan Muzikologi Lagu Melayu Asli

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