2018
DOI: 10.3390/bs8030032
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Humans’ Relationship to Flowers as an Example of the Multiple Components of Embodied Aesthetics

Abstract: This paper phenomenologically and qualitatively explores the relationship between humans and flowers as a relationship that throws light on the synergetic dynamics of embodied aesthetics. Its methods include qualitative description and thematic analyses of preferred flower types, as well as concept maps of the general term ‘flower’ by 120 students in Israel. The results revealed the interactive perceptual-compositional elements, as well as embodied, relational, and socially embedded elements of the aesthetic p… Show more

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Cited by 20 publications
(10 citation statements)
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“…Generically, flowers have an aesthetic appearance, which activates the visual region of the brain, viscera motor, sensory motor, and cerebral circuits [13]. Commercially, flowers have a global market trade for use as a whole, and in oils and perfumes.…”
Section: Introductionmentioning
confidence: 99%
“…Generically, flowers have an aesthetic appearance, which activates the visual region of the brain, viscera motor, sensory motor, and cerebral circuits [13]. Commercially, flowers have a global market trade for use as a whole, and in oils and perfumes.…”
Section: Introductionmentioning
confidence: 99%
“…Floral scents are the primary characteristic of ornamental plants and have a significant influence on plant development/reproduction and human physical/mental health [ 41 , 42 ]. The Asteraceae species is an important ornamental plant with a flowerhead composed of radially arranged ray florets and regular disc florets.…”
Section: Discussionmentioning
confidence: 99%
“…Indeed, Diaconu suggests that olfactory aesthetics has been neglected [6] because of its ephemeral nature and our lack of sensitivity to smells, and the resulting poverty of linguistic expression with regards to olfaction. Nonetheless, recently Huss et al [15] have explored olfactory aesthetics with regards to humans' relationship with flowers, describing this as an embodied aesthetics whereby we experience pleasure through interactive stimulation.…”
Section: Aesthetics As a Multidimensional Experiencementioning
confidence: 99%