Hiérarchisation et métallurgie : statues armées dans la Péninsule Ibérique

Ramírez, Primitiva Bueno; Behrmann, Rodrigo de Balbín; Bermejo, Rosa Barroso

doi:10.1016/j.anthro.2005.09.009

Cited by 29 publications

(54 citation statements)

References 10 publications

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“…Atendiendo a este hecho y retomando la consideración del lugar de aparición de las estatuas, debemos señalar que las de Samardã o Tojais (Alves y Reis 2011) se localizan próxi-mas a monumentos megalíticos. Esta vecindad también ha sido señalada en otros contextos de la Península Ibérica (para su conjunto: Bueno Ramírez et al 2005b;para Navarra, Bueno Ramírez et al 2005a: 14-30; para el suroeste peninsular: García Sanjuán et al 2006). En su estudio de las estelas de Almadén de la Plata, García Sanjuán et al (2006: 147-150) han indicado que dicha proximidad se puede deber al deseo de conmemorar, mediante la colocación de estelas, espacios que desde antiguo habían sido sacralizados a través de la construcción de monumentos funerarios, sirviendo, a la vez, como delimitadoras de territorios entre comunidades.…”

Section: Contexto Y Sentidounclassified

“…Esta estatuaria, generalmente masculina, portadora de armas o de insignias de prestigio (como el motivo subrectangular en las piezas del noroeste, o los carros, instrumentos musicales, etc., de los ejemplares del suroeste) nos remite al proceso de jerarquización que conocieron las sociedades prehistóricas peninsulares desde el Neolítico hasta la Edad del Bronce (Harrison 2004: 165-178;Bueno Ramírez et al 2005b). El noroeste peninsular no quedó al margen de dicho proceso, tal y como indica la aparición, durante el Bronce Final, de una élite guerrera que parece apuntar a que dichos grupos estaban adoptando la confi guración de "sociedades con guerreros" (González García 2009a: 132-133 y 138-143, 2009b.…”

Section: Contexto Y Sentidounclassified

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Las sendas de la memoria. Sentido, espacio y reutilización de las estatuas-menhir en el noroeste de la Península Ibérica

Fábrega-Álvarez¹,

Fonte²,

García³

2011

Trab. prehist.

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This paper discusses several interpretative proposals that have been published about the appearance, in the northwest of the Iberian Peninsula, of the so called menhir-statues. Initially we review the characterization of these monuments and we analyze the regularity that has led us to consider them as part of the same historic problem. Based on the study of territorial and landscape context we analyze the relationship between the location of the menhir-statues and mobility in the study area. The ultimate goal is to analyze the possible temporary survival of these monuments and to explore the processes of variations of meaning that could have been generated in relation to context changes and socio-cultural dynamics.<br><br>El presente trabajo discute distintas propuestas interpretativas que han sido publicadas tras la aparición, en el noroeste de la Península Ibérica, de las llamadas estatuas-menhir. Inicialmente se repasa la caracterización de estos monumentos y se analiza la regularidad que nos ha llevado a considerarlas parte de un mismo problema histórico. Partiendo del estudio del contexto territorial y paisajístico analizamos la relación entre la localización de las estatuas-menhir y la movilidad en la zona de estudio. Nuestro objetivo final es plantear la posible pervivencia temporal de estos monumentos y explorar los procesos de variación de su sentido que se han podido generar en relación con los cambios de contexto y dinámica sociocultural

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Section: Contexto Y Sentidounclassified

Las sendas de la memoria. Sentido, espacio y reutilización de las estatuas-menhir en el noroeste de la Península Ibérica

Fábrega-Álvarez¹,

Fonte²,

García³

2011

Trab. prehist.

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“…It is not diffi cult to associate these with Iberian motifs of the same type: broken or curving lines repeated over the whole or part of the orthostat. We have suggested that these motifs resemble to ankle-length robes, in the same style as those on decorated plaques (Bueno y Balbín 1996; Bueno et al 2005). Below, a rectangular motif painted with a black surround presents a large blot in the same colour on the south side.…”

Section: Paintings In Chamber H Of the Tumulus Of Barnenez Plouerzhocmentioning

confidence: 99%

Paintings in Atlantic Megalithic Art: Barnenez

Ramírez¹,

Behrmann²,

Laporte³

et al. 2012

Trab. prehist.

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Pinturas en el arte megalítico atlántico: Barnenez ABSTRACT (1) (2) (3)The use of technique is usually considered in European megalithic art as an indicator of the level of culture sophistication attained by a particular community. Traditionally, it was considered that only the Iberian Peninsula is home to painted dolmens. The analysis of chamber H of the Barnenez tumulus together with some information scattered over the continent, prove that painting was part of the graphic programs in the most archetypal Atlantic sites, such as Brittany. A highly rewarding panorama appears for European megalithic art with potential new readings. The most suitable method of detecting paintings and interpreting them in funerary contexts must be reviewed. RESUMEN

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“…The various categories of 'idols' number several hundred in total, but much more numerous are the engraved 'schist' plaques found in megalithic tombs and other funerary contexts throughout southwest Iberia, with a distribution centred on the Portuguese Alentejo (Lillios 2004(Lillios , 2008Gonçalves 2004;Bueno-Ramírez 2010) (Figures 8 and 9). These flat stone objects, usually of slate or schist, bear incised geometric motifs in a series of horizontal registers.…”

Section: Portuguese Schist Plaquesmentioning

confidence: 99%

“…Furthermore, the relationship between figurines (small scale portable artefacts) and human, or potentially human, representations in other media, such as rock art or megalithic art, must be emphasised. Among megalithic art, particular relevance attaches to statue-menhirs whose overtly human forms should be viewed within the growing recognition that many megalithic blocks of less overtly human form may also have held anthropomorphic connotations (Bueno Ramírez 2010;L'Helgouach 1997;Scarre 2007Scarre , 2011a). …”

Section: Introductionmentioning

confidence: 99%

Neolithic Figurines of Western Europe

Scarre¹

2017

Oxford Handbooks Online

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Scarre, Chris (2017) 'Neolithic gurines of Western Europe.', in The Oxford handbook of prehistoric gurines. Oxford : Oxford University Press, pp. 877-900.Further information on publisher's website:https://global.oup.com/academic/product/the-oxford-handbook-of-prehistoric-gurines-9780199675616This is a draft of a chapter that was accepted for publication by Oxford University Press in the book 'The Oxford handbook of prehistoric gurines' edited by Tim Insoll and published in 2017.Additional information: Use policyThe full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-pro t purposes provided that:• a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders.Please consult the full DRO policy for further details.

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Hiérarchisation et métallurgie : statues armées dans la Péninsule Ibérique

Cited by 29 publications

References 10 publications

Las sendas de la memoria. Sentido, espacio y reutilización de las estatuas-menhir en el noroeste de la Península Ibérica

Las sendas de la memoria. Sentido, espacio y reutilización de las estatuas-menhir en el noroeste de la Península Ibérica

Paintings in Atlantic Megalithic Art: Barnenez

Neolithic Figurines of Western Europe

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