Geomatics Techniques for Cultural Heritage Dissemination in Augmented Reality: Bronzi di Riace Case Study

Barrile, Vincenzo; Fotia, Antonino; Candela, Gabriele; Bernardo, Ernesto

doi:10.3390/heritage2030136

Cited by 12 publications

(4 citation statements)

References 15 publications

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“…e results he achieved demonstrate the effectiveness of 3D printing to create digital products and reproductions. But the scholar did not describe the specific experimental process [3]. Zhang et al found that in order to realize smart manufacturing, the country has formulated new strategies, and the number of new factories in developed and developing countries is increasing.…”

Section: Related Workmentioning

confidence: 99%

Design of Chinese Opera Cultural Platform Based on Digital Twins and Research on International Cultural Communication Strategies

2022

Mobile Information Systems

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As an important part of a country’s diplomatic strategy, international cultural communication is increasingly valued by countries. But the traditional way of communication has been unable to keep up with the pace of the times. Digital twin technology can realize virtual reality, which can be applied to the design and dissemination of opera cultural platforms. The influence of a country’s culture not only depends on whether its content has unique charm but also depends on whether it has advanced means of communication and strong communication ability. The purpose of this paper is to study how to design an opera cultural platform based on digital twins. This paper proposes a three-dimensional transformation algorithm based on digital twin, which can play a good role in the design of the opera culture platform. The experimental results in this paper are shown in Table 1. In 2016, the economic benefits brought by international cultural communication to China were 35.889 billion yuan. It increased by 3.735 billion yuan year-on-year, with a growth rate of 10.4%. By 2019, the economic benefits brought by international cultural communication to China were 50.730 billion yuan, with an increase of 49.66% over the previous year and a growth rate of 9.7%. It can be seen that, through continuous external communication, this aspect shows the cultural strength of the country and obtains an excellent international reputation and social benefits. On the other hand, it reaped considerable economic benefits. Therefore, it is very necessary to study the strategies of international cultural communication.

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Section: Related Workmentioning

confidence: 99%

Design of Chinese Opera Cultural Platform Based on Digital Twins and Research on International Cultural Communication Strategies

2022

Mobile Information Systems

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“…In fact, the use of advanced techniques allows us to obtain digital models of structures of historical and artistic interest that are scattered throughout the country [6][7][8][9][10][11][12][13]. The models [14][15][16][17][18][19][20] can be implemented within augmented or virtual reality apps so that users can enjoy these works in a much more immersive way [21][22][23][24][25][26][27][28][29]. The use of mixed reality in the field of cultural heritage is now widespread.…”

Section: Introductionmentioning

confidence: 99%

Integration of Laser Scanner, Ground-Penetrating Radar, 3D Models and Mixed Reality for Artistic, Archaeological and Cultural Heritage Dissemination

Barrile¹,

Bernardo²,

Fotia³

et al. 2022

Heritage

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Three-dimensional digital acquisition techniques can be useful in archaeology because they make a further technological contribution to the visualization of finds and structures. The possibility of integrating three-dimensional models from different acquisition systems (laser scanner, UAV, reflex and Georadar) is even more exciting. One of the peculiarities of these integration techniques is the possibility of promoting the dissemination of knowledge through virtual reality, augmented reality and mixed reality, given the widespread use of mobile devices. This does not mean, of course, that with the mere creation of a 3D model (and allowing it to be viewed in 3D), the public automatically obtains more information about heritage. In fact, visiting a cultural heritage site in person allows one to receive much more information on finds and structures. However, if this is not possible, technologies that use 3D Virtual Reality help to provide a small knowledge base to those who cannot use the museum. We underline the importance of an integrated visualization from an archaeological and architectural perspective to obtain understanding of the structure with the integration of the two models with different data. The work that we present is part of a multidisciplinary project to recover and disseminate information about the Reggio Calabria’s (southern Italy) artistic, archaeological and cultural heritage. This work’s goal is the realization of a unique 3D model of the church “Madonna dei Poveri” (3D model of a buried part with 3D model of visible parts) by combining different geomatics techniques to show and investigate the interior and exterior parts (3D model obtained by laser scanner and photogrammetry), and the underground crypts (3D model obtained by Georadar), which are lying below the present surface and are no longer accessible due to coverage by post-depositional processes (Georadar). Finally, an app (using augmented reality and virtual reality) and a first experimentation of Mixed Reality is developed for the dissemination of the archaeological and cultural heritage information on the area of interest.

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“…The studies by Barrile, V. et al [2] and Bitelli, G. et al [5] delve into digital documentation methods, such as photogrammetry, combined with 3D printing for cultural heritage dissemination. They provide insights into the precision and effectiveness of these techniques in capturing and replicating historical artifacts.…”

Section: Literature Workmentioning

confidence: 99%

3D Printing Technology based on the Development Model of Cultural and Creative Products on University Campuses

Xin

2024

SCPE

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Adequate 3D printers, scanning equipment, and other related hardware are fundamental. This includes ensuring a variety of printers to handle different materials and printing techniques. This research explores the innovative application of 3D printing technology in developing cultural and creative products within the university campus environment. The study begins with an analysis of current 3D printing technologies, emphasizing their adaptability, cost-effectiveness, and potential for customization. It then delves into the unique aspects of university campuses as hubs for creativity and cultural expression, arguing that these spaces provide an ideal testing ground for new applications of 3D printing. The core of the research presents a novel development model tailored for university settings. This model integrates 3D printing technology with the dynamic cultural and creative landscape of campuses, focusing on products that resonate with the academic community’s unique needs and values. It includes case studies from various universities, showcasing successful implementations of the model, ranging from art installations to practical gadgets enhancing campus life. Significant findings include the model’s flexibility in accommodating diverse creative ideas and its role in fostering a culture of innovation among students and faculty. The research also addresses challenges such as resource allocation, intellectual property issues, and the need for interdisciplinary collaboration.

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Geomatics Techniques for Cultural Heritage Dissemination in Augmented Reality: Bronzi di Riace Case Study

Cited by 12 publications

References 15 publications

Design of Chinese Opera Cultural Platform Based on Digital Twins and Research on International Cultural Communication Strategies

Design of Chinese Opera Cultural Platform Based on Digital Twins and Research on International Cultural Communication Strategies

Integration of Laser Scanner, Ground-Penetrating Radar, 3D Models and Mixed Reality for Artistic, Archaeological and Cultural Heritage Dissemination

3D Printing Technology based on the Development Model of Cultural and Creative Products on University Campuses

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