2009
DOI: 10.1080/14742830802591119
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Fun and Laughter: Culture Jamming and the Emotional Regime of Late Capitalism

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Cited by 49 publications
(34 citation statements)
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“…It is a practice that coalesced around a concern with what its practitioners saw Social Movements in the Surveillance Society 185 as the corporate colonization of public life, representing in the ubiquitous presence of advertising. The intention of this mode of cultural hijacking is to disrupt, through satire and laughter, the normalized state of things (Wettergren, 2009). It does so by appropriating familiar objects, such as public advertisements, that have meshed with the urban landscape with little if any public consultation.…”
Section: Saying Something In New York Citymentioning
confidence: 99%
“…It is a practice that coalesced around a concern with what its practitioners saw Social Movements in the Surveillance Society 185 as the corporate colonization of public life, representing in the ubiquitous presence of advertising. The intention of this mode of cultural hijacking is to disrupt, through satire and laughter, the normalized state of things (Wettergren, 2009). It does so by appropriating familiar objects, such as public advertisements, that have meshed with the urban landscape with little if any public consultation.…”
Section: Saying Something In New York Citymentioning
confidence: 99%
“…A su vez, la expansión del culture jamming ha traído consigo la del humor en la protesta. El humor es un elemento central en el culture jamming (Wettergren 2009), e internet ha facilitado su utilización en el desarrollo de esta estrategia simbólica. Los culture-jammers han abrazado el humor al mismo tiempo que "reconocen la capacidad de internet para hacer de la creación de parodias de anuncios algo mucho más fácil y suministrar una plataforma para que sus campañas y creaciones artísticas alcancen una audiencia mucho más amplia e internacional" ( el HumoR y la dImensIón exPResIva-…”
Section: Humor Protesta Y Movimientos Socialesunclassified
“…Simplemente se pretende subrayar con ello el componente instrumental del humor, que en general ha sido infravalorado en la literatura especializada. Algunos trabajos recientes apuntan en esta dirección (Roy 2007;Kutz-Flamenbaum 2007;Wettergren 2009). Este artículo se enmarca dentro de esta tendencia.…”
Section: Introductionunclassified
“…It is widely recognised that cultural jamming has pioneered the practice of the bustering of consumerism, thereby creating the ecology of communication that is essential to many forms of media activism [34,16,36]. The various engagements of Avaaz and Adbuster to change the state of the world are punctuated by a common repertoire of action in spite of relevant distinctions in social and political organisation.…”
Section: From Adbuster To Avaaz the Cross-fertilisation Of Media Actmentioning
confidence: 99%
“…The formation of an emergent reality of growing social mobility and cultural pluralisation being created by international migration, ethnic multiculturalism and multi-location of refugees has enlarged the space of the cosmopolitan citizen while the relevance of territory has decreased. This process is occurring in a context of risk and uncertainty [41,36], which includes millions of precarious lives that are engendered by natural and environmental disasters, public health emergencies, ethnic conflicts and poverty. The "dark side" of cosmopolitanism is revealed by the ways governmentality undertakes the control of people's mobility.…”
Section: Media Activism and Cosmopolitan Imaginationmentioning
confidence: 99%