ACM SIGGRAPH 2003 Sketches &Amp; Applications 2003
DOI: 10.1145/965400.965453
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Exploring MIDI datasets

Abstract: Figure 1. Overview of comp-i virtual space visualizing the introduction of "Valse des fleurs " (16 channels, 101 subsections).

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Cited by 15 publications
(6 citation statements)
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“…Algorithms such as that described by Snydal and Hearst create melodic landscapes and harmonic palettes from transcriptions of jazz improvisations [27], while Miyazaki et al use cylinders whose height, diameter and color represent pitch, volume and duration information of the notes in the score. In the latter algorithm, the visualization can be represented both at an overview level and also at a detailed level according to user preference [19]. Ciuha et al describe an approach to visualize concurrent tones, using color to highlight the harmony [4].…”
Section: Close Readingmentioning
confidence: 99%
“…Algorithms such as that described by Snydal and Hearst create melodic landscapes and harmonic palettes from transcriptions of jazz improvisations [27], while Miyazaki et al use cylinders whose height, diameter and color represent pitch, volume and duration information of the notes in the score. In the latter algorithm, the visualization can be represented both at an overview level and also at a detailed level according to user preference [19]. Ciuha et al describe an approach to visualize concurrent tones, using color to highlight the harmony [4].…”
Section: Close Readingmentioning
confidence: 99%
“…A plethora of real-time music visualizers provide stimulating experiences by reacting to the music's tempo, rhythm, strength, or pitch. Diverse varieties of geometric designs have been utilized in the visualization of musical rhythms, such as bars [22,38], radial forms [24], spirals [9], isochords [4], arc diagrams [56], and three-dimensional structures [39,55]. One of the earliest works by Kubelka [31] proposes a proof-of-concept interactive music visualizer comprising three primary units -a sound analyzer, a visualization module, and a scene editor.…”
Section: Related Work 21 Music Visualizationsmentioning
confidence: 99%
“…Moreover, the mathematical models of time and frequency signals [20] are also among the factors employed for musical analysis and synthesis. A variety of works [10,23,38,39] have also interfaced with MIDI or Musical Instrument Digital Interface that display visual illustrations so as to better comprehend and conceive the tonal patterns of the audio. A program to parse MIDI data and automatically generate three-dimensional graphical depictions was developed by Smith and Willams [47].…”
Section: Related Work 21 Music Visualizationsmentioning
confidence: 99%
“…Smith and Williams 10 discussed the possibility of visualizing MIDI in 3D space using color to mark timbre. The comp-i system 11 shows the structure of music as a whole using 3D piano roll visualization. Its main goal is to allow users to perform visual exploration of a given MIDI dataset in an immersive and intuitive manner.…”
Section: Related Workmentioning
confidence: 99%