2007
DOI: 10.1590/s1413-82712007000200003
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Escala de Preferência Musical: construção e comprovação da sua estrutura fatorial

Abstract: O objetivo deste estudo foi construir e conhecer os parâmetros psicométricos de uma escala para medir a preferência musical de jovens. Participaram da pesquisa 480 estudantes do ensino médio, majoritariamente do sexo feminino (55,1%) e solteiros (95,8%), com idades variando de 13 a 28 anos (M=16,2; DP=1,60). Estes responderam à Escala de Preferência Musical, além de perguntas demográficas. A amostra foi dividida aleatoriamente em duas de igual tamanho, procurando conhecer a estrutura fatorial da escala (n1) e … Show more

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Cited by 4 publications
(2 citation statements)
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“…First, the musical styles typical of Brazilian culture (e.g., forró and sertanejo) were more popular than were the more global styles related to Western tonal music (e.g., rap and classical music). It seems possible that the participants’ musical preferences were influenced by contemporary media culture since the styles they listened to most often coincided with those that traditionally receive the most media exposure (Cremades, Lorenzo, & Herrera, 2010; Pimentel et al, 2007; Pimentel, Gouveia, & Vasconcelos, 2005; Soares-Quadros Jr. & Lorenzo, 2013).…”
Section: Discussionmentioning
confidence: 99%
See 1 more Smart Citation
“…First, the musical styles typical of Brazilian culture (e.g., forró and sertanejo) were more popular than were the more global styles related to Western tonal music (e.g., rap and classical music). It seems possible that the participants’ musical preferences were influenced by contemporary media culture since the styles they listened to most often coincided with those that traditionally receive the most media exposure (Cremades, Lorenzo, & Herrera, 2010; Pimentel et al, 2007; Pimentel, Gouveia, & Vasconcelos, 2005; Soares-Quadros Jr. & Lorenzo, 2013).…”
Section: Discussionmentioning
confidence: 99%
“…The scientific literature defines the recurrence of these decisions as “musical preference”, an attitude that is favourable or unfavourable – and can be permanent or transitory – for different types of music (Hargreaves, North, & Tarrant, 2015; Pimentel, Gouveia, Coelho, Athayde, & Lima, 2014). Authors such as Pimentel, Gouveia, and Pessoa (2007) and Robinson and Hatten (2012) argue that musical preference is a fundamental element that forms human character, especially during adolescence. Tekman and Hortaçsu (2002) point to adolescence as the stage of life in which individuals are subject to the greatest influence from their peer groups regarding decisions related to clothes, hairstyle, preferences for places of leisure and types of entertainment.…”
mentioning
confidence: 99%