2010
DOI: 10.1080/00201741003612138
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Does Bodily Awareness Interfere with Highly Skilled Movement?

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Cited by 88 publications
(70 citation statements)
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“…Of course, it is likely that with practice the musician will pay less and less attention to the instrument while playing. We do not think it is appropriate to say, however, that the musician at some point comes to play unconsciously, as if she were on automatic pilot (see also Montero, 2010). Certainly she acquires many sensorimotor automatisms.…”
Section: Individualization and Entrenchmentmentioning
confidence: 99%
“…Of course, it is likely that with practice the musician will pay less and less attention to the instrument while playing. We do not think it is appropriate to say, however, that the musician at some point comes to play unconsciously, as if she were on automatic pilot (see also Montero, 2010). Certainly she acquires many sensorimotor automatisms.…”
Section: Individualization and Entrenchmentmentioning
confidence: 99%
“…25 We are also unsure how to settle disagreements about the relevant phenomenology. Montero (2010), for example, describes the phenomenology of expert athletics in terms starkly different than does Dreyfus. Finally, while we accept that phenomenology plays an 24 Steve Blass was a tremendously successful pitcher in Major League Baseball who suddenly and inexplicitly lost his ability to pitch.…”
Section: New No-belief Casesmentioning
confidence: 96%
“…While some research appears to support the idea that overthinking is the problem in cases like these (e.g., Flegal and Anderson 2008;Beilock and Gray 2012), the issue remains unsettled. For critical discussion, see Montero (2010) and Brownstein (2014). 25 Note that Stanley (2011a, b) discusses some related arguments due to Kelly (2000Kelly ( , 2002 and Toribio (2008).…”
Section: New No-belief Casesmentioning
confidence: 97%
“…Our expectation is that numerous specific differences will be apparent, but the core structure of high-order control will, nevertheless, be present in most skills. Montero (2010) argues that in elite skills individuals typically strive for continual improvement, and they may need to innovate to succeed in high stakes performances. Conversely, she suggests that in the case of artistic skills, rote performances are dull and tend toward stereotypes.…”
Section: The Relation Between Skill and The Sense Of Agencymentioning
confidence: 99%
“…Montero, 2010). See McIlwain and Sutton (2015) for a methodological discussion of the value and challenges of research in which the researcher is a practitioner.…”
mentioning
confidence: 99%