1980
DOI: 10.2307/3177648
|View full text |Cite
|
Sign up to set email alerts
|

Dancing through the Minefield: Some Observations on the Theory, Practice and Politics of a Feminist Literary Criticism

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1

Citation Types

0
19
0
4

Year Published

1986
1986
2018
2018

Publication Types

Select...
5
3
2

Relationship

0
10

Authors

Journals

citations
Cited by 112 publications
(23 citation statements)
references
References 0 publications
0
19
0
4
Order By: Relevance
“…189)-is not an admission of defeat. What Braidotti has called 'the philosophy of "as if"' (Braidotti, 1994, p. 5) is perhaps merely the recognition of the way that people have always lived-dancing though the mine eld, Annette Kolodny (1980) called it. A theory of the body image helps explain why practices of 'as if' produce effects.…”
Section: Liberalism and Liberationmentioning
confidence: 97%
“…189)-is not an admission of defeat. What Braidotti has called 'the philosophy of "as if"' (Braidotti, 1994, p. 5) is perhaps merely the recognition of the way that people have always lived-dancing though the mine eld, Annette Kolodny (1980) called it. A theory of the body image helps explain why practices of 'as if' produce effects.…”
Section: Liberalism and Liberationmentioning
confidence: 97%
“…14-17). Women's experiences are to a large extent what Kolodny (1980) calls "kitchen things" and Alexiévitch (2016) calls "trivial"; and are also the result of domestic violence, femicide, abortion, double shifts, childcare, low wages, degrading work, sexual harassment, caring for the elderly, aging, and maternity. Such experiences are crossed by the achievements of women…”
Section: -29mentioning
confidence: 99%
“…Concordando com teóricas como Annette Kolodny (1985), que defende o pluralismo da teoria crítica feminista como única posição compatível com o presente status do movimento de mulheres como um todo e que compara esse posicionamento crítico a dançar em um campo minado, Showalter defende o pluralismo como posição, mas ressalta que não é possível excluir um possível consenso teórico. A autora aponta a necessidade de uma crítica que seja genuinamente centrada na mulher, independente e intelectualmente coerente, que desenvolva sua própria teoria e encontre sua própria voz.…”
Section: Aporte Teórico E Metodológicounclassified