2015
DOI: 10.1080/10714413.2015.1028836
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Comfort Women in Human Rights Discourse: Fetishized Testimonies, Small Museums, and the Politics of Thin Description

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Cited by 7 publications
(4 citation statements)
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“…What the exhibit overlooks is the way nationalist sanctioned assumptions about race, class, and gender (Taber, 2019) led to the creation of the VAD position. The portrayal of the VADS in the CCGW's exhibit exemplifies Joo's (2015) sense that war museums tend to present women's histories through "thin" descriptions that lack context, subtlety, and nuance. Though the history of the VAD is one imbued with complicated racial and class dynamics, the curation of the CCGW's exhibit sanitizes this history, presenting it as a kind of "lovely knowledge" by suggesting an underdeveloped association between the VADs and women's rights in general.…”
Section: Canadian War Museum: "Over the Top"mentioning
confidence: 94%
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“…What the exhibit overlooks is the way nationalist sanctioned assumptions about race, class, and gender (Taber, 2019) led to the creation of the VAD position. The portrayal of the VADS in the CCGW's exhibit exemplifies Joo's (2015) sense that war museums tend to present women's histories through "thin" descriptions that lack context, subtlety, and nuance. Though the history of the VAD is one imbued with complicated racial and class dynamics, the curation of the CCGW's exhibit sanitizes this history, presenting it as a kind of "lovely knowledge" by suggesting an underdeveloped association between the VADs and women's rights in general.…”
Section: Canadian War Museum: "Over the Top"mentioning
confidence: 94%
“…Unlike other that of marginalized groups, women's roles in Canadian military history are frequently explored in military museums. In the physical space of military museums, however, these narratives are often limited by stereotypical depictions, "thin" descriptions (Joo, 2015) and are frequently overshadowed by the sublime presence of massive guns (Walby & Pauls, 2021). Inside military museums, women's narratives usually appear in supporting roles, offering a "different" (but by no means opposing) perspective, or functioning as a refuge for those who cannot handle too much blood and gore.…”
Section: Canadian War Museum: "Over the Top"mentioning
confidence: 99%
“…Young women and girls, mostly between the ages of 11 and 20, were abducted from their homes in countries under Imperial Japanese rule, mostly from Korea, and the rest from China, Philippines, Malaysia, Taiwan, Indonesia, the Netherlands etc [ 2 ]. They were detained in comfort stations and were forced to serve as sex slaves for the Japanese soldiers, being raped 10 to 50 times a day for years [ 3 ]. They also suffered immeasurable pain from sexually transmitted diseases, aggressive treatment of these disease, forced abortion and sterilization, starvation, physical abuse, torture, threats of death, and approximately 75 percent are estimated to have died during the ordeal [ 4 ].…”
Section: Introductionmentioning
confidence: 99%
“…The “comfort women” issue was tabooed in the post-war decades and hidden by most of the survivors. In 1991, a Korean former “comfort woman” broke the silence and came forward publicly for the first time, seeking a formal apology and reparation from the Japanese government [ 3 ]. Her action led hundreds of other women in Korea to come forward, and 239 women officially registered with the South Korean government as former “comfort women.” Testimonies of many survivors revealed vivid details of their unbelievably cruel experience and the atrocities committed by the Japanese military.…”
Section: Introductionmentioning
confidence: 99%