Abstract:This paper investigates how virtual exhibitions curated by the Canadian War Museum (CWM) and the Canadian Centre for the Great War (CCGW) communicate ideas about nationalism and multiculturalism in Canada. Drawing from critical literature on participatory museum spaces, multiculturalism, and hegemony, we examine how virtual war exhibitions, which attempt to create space for marginalized identities, may inadvertently reinforce hegemonic understandings of Canadian identity. Through our analysis of two case studi… Show more
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