Body Rhythms and the Unconscious: Toward an Expanding of Clinical Attention

Knoblauch, Steven H.

doi:10.2513/s10481885pd1506_2

Cited by 55 publications

(34 citation statements)

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“…He encourages receptivity to these impressions as very much part of what is in the room. Knoblauch (2000), in his discussion of improvisation, focuses on the polyrhythmic shifts between verbal and nonverbal communication as moments that potentially activate accessibility to visceral or unformulated somatic experience (Bollas, 1987;Knoblauch, 2012;Stern, 1997). He extends the notion of reverie to include somatic awareness of shifts in the therapist that clue the therapist into potential parallel shifts in the client.…”

Section: What Drives Change?mentioning

confidence: 96%

“…This has been valuable in sorting out the entwined subjectivities of client and clinician, referred to as intersubjectivity. Knoblauch (2000Knoblauch ( , 2012 suggests that this subjective matrix extends to our physical experience. Difficulties that arise in the clinician's processing, body sensations, distortions of time, and capacity for reflective freedom indicate a shift whether viewed from an object relations, attachment, or relational perspective.…”

Section: Elements Of Jazz Improvisationmentioning

confidence: 96%

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Considering Improvisation: Play, Transitional Space, and Discovery

Frost

2015

Smith College Studies in Social Work

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This article explores the concept of improvisation in the therapeutic setting as a complex construction when elaborated in the idiom of jazz music. A composite clinical case is offered that illustrates an impasse and how improvisational thinking offers a way forward. Improvisation has recently been conceptualized through the metaphor of theater improvisation, dance, and rhythm. The therapeutic hour is considered an improvisational dialogue with the main theme (melody) and counter melodies, and harmonic possibilities that underlie the rhythmic pulse of the hour. Improvisation requires a reflective/interpretive process that draws on patterns, structures, and experiences reformulated in the relational field of the participants. The client initiates the call and response pattern, from which improvisation emerges as a mutual process of discovery. A more relaxed, receptive, and reflective posture extends Winnicott's 1971 notion of play to integrate classic understanding and relational interaction.

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Section: What Drives Change?mentioning

confidence: 96%

Section: Elements Of Jazz Improvisationmentioning

confidence: 96%

Considering Improvisation: Play, Transitional Space, and Discovery

Frost

2015

Smith College Studies in Social Work

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“…En la interacción psicoterapéutica los parámetros sonoros del habla constituyen una de las principales fuentes de información sobre el sentido de los actos realizados en la comunicación entre terapeuta y paciente (Knoblauch, 2000(Knoblauch, , 2005. Se ha planteado que la cualidad de la voz del hablante influiría en el estado emocional de quien lo escucha (Bachorowski & Orwen, 2008;Russel, Bachorowski & FernandezDol, 2003), siendo posible, por ejemplo, que una voz que refleje el estado relajado y confiado del terapeuta pudiese calmar la voz agitada y las consecuentes emociones del paciente (Bady, 1985).…”

Section: La Relevancia De La Voz En El Diálogo Psicoterapéuticounclassified

“…Scherer y Bergmann (1990) encontraron en un estudio sobre comunicación vocal que en el proceso psicoterapéutico los participantes infieren y provocan emociones en el otro a través de los sonidos del habla. Knoblauch (2000Knoblauch ( , 2005 ha señalado que la cualidad vocal de paciente y terapeuta puede ser uno de los aspectos clave para la descripción de los procesos de cambio en psicoterapia. Señala que en la interacción psicoterapéutica se intercambiarían significados psicológicos a través del sonido de sus voces.…”

Section: La Relevancia De La Voz En El Diálogo Psicoterapéuticounclassified

Patrones de Cualidad Vocal en Psicoterapia: Desarrollo y Estudio de Confiabilidad de un Sistema de Codificación

Tomicic

Martínez

Chacón

et al. 2011

Psykhe

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Se expone el sistema de codificación de Patrones de Cualidad Vocal (PCV) y su estudio de confiabilidad. El objetivo fue crear un sistema que permitiese identificar y codificar PVC por medio de una valoración auditiva entrenada. El diseño fue exploratorio-descriptivo y de enfoque mixto, con una muestra intencionada de 12 episodios de cambio extraídos de 3 psicoterapias. Mediante técnicas cualitativas fueron descritos 6 PCV: Reporte, Conectado, Afirmativo, Reflexión, EmocionalExpresivo y Emocional-Contenido. Posteriormente, por medio del coeficiente kappa de Cohen se analizó el grado de concordancia entre jueces independientes en la codificación de los PCV, sobre un total de 516 segmentos, correspondientes a 457 turnos de habla. El sistema mostró una alta confiabilidad inter-jueces y, entre sus ventajas, la posibilidad de analizar procesos psicoterapéuticos, sin importar su orientación teórica o enfoque, y su aplicabilidad al estudio de los PCV empleados por terapeutas y pacientes.Palabras clave: mediciones acústicas, patrones de cualidad vocal, proceso psicoterapéuticoThe coding system Vocal Quality Patterns (VQP) and a reliability study are presented. The aim was to create a system to identify and codify VQP using a trained hearing assessment. The design was descriptive-exploratory, employing a mixed approach, with a convenience sample of 12 episodes of change extracted from 3 psychotherapies. Qualitative techniques were used to describe 6 VQP: Report, Connected, Affirmative, Reflection, Emotional-Expressive and Emotional-Restrained. Subsequently, by Cohen's kappa coefficient the degree of agreement between independent judges, for the coding of the VQP for a total of 516 segments, corresponding to 457 talking turns, was examined. The system showed high inter-rater reliability and, among its advantages, it presents the possibility of analyzing psychotherapeutic processes, regardless of theoretical orientation or approach, and its applicability to the study of VQP used by therapists and patients.Keywords: acoustic measures, vocal quality patterns, psychotherapy process PSYKHE 2011, Vol. 20, N˚ 1, 77-93 La correspondencia relativa a este artículo debe ser dirigida a Alemka Tomicic P., Programa de Doctorado en Psicología,

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“…Although several prominent psychoanalysts (e.g., Ginot, 2009;Knoblauch, 2005;Schore, 1994Schore, , 2003aStevens, 2003Stevens, , 2005Stone, 2006) have recently emphasized the clinical significance of attending to nonverbal signals in psychotherapy, this section of La Barre's book illustrates how the field of psychoanalysis historically has grappled with questions concerning whether, or to what degree, attention to nonverbal communication, and especially in the shape of a patient's embodied enactments, would enhance the practice of psychotherapy.…”

mentioning

confidence: 97%

Frances La Barre: On Moving and Being Moved: Nonverbal Behavior in Clinical Practice

Lövkvist¹

2010

Am J Dance Ther

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Body Rhythms and the Unconscious: Toward an Expanding of Clinical Attention

Cited by 55 publications

References 0 publications

Considering Improvisation: Play, Transitional Space, and Discovery

Considering Improvisation: Play, Transitional Space, and Discovery

Patrones de Cualidad Vocal en Psicoterapia: Desarrollo y Estudio de Confiabilidad de un Sistema de Codificación

Frances La Barre: On Moving and Being Moved: Nonverbal Behavior in Clinical Practice

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