Body movement implied by static images modulates eye movements and subjective time estimation.

Nather, Francisco Carlos; Bueno, José Lino Oliveira; Bigand, Emmanuel

doi:10.3922/j.psns.2013.3.04

Cited by 11 publications

(18 citation statements)

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“…Because of tuning of the human brain to perceive more relevant biological movement characteristics, switches in attention increased the number of accumulated pulses while observing the M images, and exposure time is judged to be longer. The greater implied movement in a body image then causes the major acceleration of pulses of the internal marker, thus generating the observed overestimations (Nather et al, 2013). The clock model can explain the time overestimations for the M images in the G2 group, but it does not explain why overestimations were not observed in the G1 group.…”

Section: Discussionmentioning

confidence: 93%

“…Through embodiment mechanisms, specific brain areas are activated, reconstructing the actions by simply observing the static pattern of a past action (Gallese, 2005;Rizzolatti & Craighero, 2004;Rizzolatti & Lupino, 2001). Thus, time distortions in the perceiver may be an index of empathic processes that enable the individual to understand the others' actions as a function of the timing related to the observed movements (Nather, Bueno, & Bigand, 2013). Movement perception in static images has been studied with regard to different and specific aspects of the visual perception of motion using photographic images of humans and animals by considering social and evolutionary contexts.…”

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confidence: 99%

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Implied Movement in Static Images Reveals Biological Timing Processing

Nather

Anelli

Ennes

et al. 2015

Paidéia (Ribeirão Preto)

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Visual perception is adapted toward a better understanding of our own movements than those of non-conspecifics. The present study determined whether time perception is affected by pictures of different species by considering the evolutionary scale. Static (“S”) and implied movement (“M”) images of a dog, cheetah, chimpanzee, and man were presented to undergraduate students. S and M images of the same species were presented in random order or one after the other (S-M or M-S) for two groups of participants. Movement, Velocity, and Arousal semantic scales were used to characterize some properties of the images. Implied movement affected time perception, in which M images were overestimated. The results are discussed in terms of visual motion perception related to biological timing processing that could be established early in terms of the adaptation of humankind to the environment.

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Section: Discussionmentioning

confidence: 93%

mentioning

confidence: 99%

Implied Movement in Static Images Reveals Biological Timing Processing

Nather

Anelli

Ennes

et al. 2015

Paidéia (Ribeirão Preto)

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“…Há também trabalhos que buscam compreender a influência da apreciação artística sobre a experiência temporal, para tanto, utilizaram obras de arte como, por exemplo, música (Bueno & Ramos, 2007;Cocenas-Silva, Bueno, Molin, & Bigand, 2011;Droit-Volet, Ramos, Bueno, & Bigand, 2013;Firmino & Bueno, 2008, 2016, imagens de pinturas e esculturas (Nather & Bueno, 2006a;Nather, Bueno & Bigand, 2013). Estes estudos fazem parte de um campo de pesquisa denominado de Nova Estética Experimental (Berlyne, 1974), que será discutido a seguir.…”

Section: Percepção Subjetiva Do Tempounclassified

“…A experiência de tempo no contexto de fenômenos estéticos tem se constituído em um vasto campo de pesquisa na busca por esclarecer como a interação com a obra de arte pode repercutir sobre a percepção subjetiva do tempo. Nesta linha, se encontram trabalhos como o de Bueno (1985;ver também, Bueno & Engelmann, 1976;Bueno, Firmino, & Engelmann, 2002) Na área das artes visuais, Nather e Bueno (2006aBueno ( , 2006b realizaram uma série de estudos com a finalidade de examinar como imagens fotográficas de pinturas e esculturas com diferentes representações de movimento afetavam a percepção do tempo e concluíram que a sugestão de movimento numa imagem estática alonga a experiência temporal (Ver também Nather, Bueno, & Bigand, 2013;Nather, Bueno, Bigand, & Droit-Volet, 2011;Nather, Fernandes, & Bueno, 2014;Nather, Mecca, & Bueno, 2013). Os resultados encontrados mostraram que a sugestão de movimento numa imagem estática altera a percepção subjetiva de tempo.…”

Section: Estética Experimental E a Percepção De Tempounclassified

Efeitos da manipulação de uma obra de arte sobre o tempo subjetivo de pacientes com Doença de Parkinson

Motta¹

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Aos meus pais, Miguel e Jocélia, que me apoiaram desde o início desta jornada e que sempre estiveram perto, mesmo que a distância, oferecendo carinho, atenção, compreensão e amenizando cada passo que foi dado. Ao Prof. Dr. José Lino Oliveira Bueno que apostou em mim possibilitando que eu realizasse esse estudo e pela oportunidade de caminhar com alguém que me ensina e inspira não somente na vida acadêmica, mas também enquanto profissional e pessoa. Ao Prof. Dr. Vitor Tumas por ter aceitado ser colaborador neste trabalho e pelos apontamentos importantes para a execução e elaboração da pesquisa, e à sua equipe do ambulatório de Distúrbios do Movimento Extrapiramidal do Hospital das Clínicas da Faculdade de Medicina de Ribeirão Preto-USP, por terem me acolhido muito bem e por se mostrarem sempre muito dispostos a ajudar na coleta dos dados. Agradecimento especial a Ângela Vieira Pimentel por toda atenção e amizade e à Manuelina Mariana Capelari Macruz Brito pela ajuda com as avaliações. Ao João Luís Segala Borin, por toda a ajuda, paciência e principalmente, amizade. A todos os amigos do laboratório que sempre se mostraram dispostos a ajudar, especialmente ao David Andrés Casilimas Díaz que pacientemente me auxiliou na análise estatística dos dados. Ao Hugo Cézar Palhares pela ajuda com o E-prime e a Lilian Luchesi pelo auxílio com o EthoLog. Às minhas irmãs, Monica e Melissa, por me apoiarem, ainda que às vezes de um jeito estranho. E aos meus sobrinhos, Júlia e Mateus, por alegrarem a minha vida. À minha avó, Tereza de Jesus Serafim Motta, pelas orações. A todos os meus amigos, em especial a Jessica Alpendre Felinto, Franciele Guedes e Adriane Cristine pela força, pelas risadas, pela amizade sincera e por sempre me enviarem mensagens carinhosas que chegavam no momento certo. À Natália Claro da Silva pela amizade e apoio espiritual. À Danusa Ariete da Silva e Jéssica Montes pelo companheirismo na reta final deste trabalho e pelas boas risadas que demos juntas. À Coordenação de Aperfeiçoamento de Pessoal de Nível Superior-CAPESpela concessão da bolsa de mestrado e conseguinte apoio financeiro para realização desse estudo.

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“…This finding was replicated for participants viewing artwork. Photographs of dance sculptures (e.g., by Edgar Degas) depicting dance postures with greater implied degrees of movement were correlated positively with longer perceived duration estimates (Nather & Bueno, 2012;Nather, Bueno, & Bigand, 2013). Expertise is an important moderator in judging the duration of such images.…”

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confidence: 97%

The Sense of Time While Watching a Dance Performance

2017

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Although the judgment of time is an important experience embedded in the context of cognitive and emotional appraisal of events, there are few studies concerning perceived time within an ecologically valid context. Watching a cultural event such as a dance performance is a paradigmatic situation in which viewers perceive time differently as a function of performance characteristics and viewers’ personal engagement. We staged two dance pieces that differed in speed of movement performed by a professional female dancer. Fifty-two participants watched both performances in counterbalanced order and rated their impressions, senses of self, and perceptions of space and time. On average, spectator-participants liked the faster dance better than the slower dance and felt more positive afterward. During the fast dance, participants focused more on the dancer’s breathing and less on their own body. Participant’s subjective perceptions were that time seemed to pass more slowly during the slow dance, but participants estimated the faster dance to have lasted longer. Path analyses revealed that paying attention to one’s bodily signals mediated the feeling of time. As typical flow states are characterized by positive feelings during an activity, as well as by a diminished sense of self and time, these results suggest that the participant’s average response reflected a relatively stronger flow state in the fast dance condition. Future studies might be encouraged assessing time perception in a variety of real-life situations. Participants’ responses could then be assessed with different methodological approaches.

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Body movement implied by static images modulates eye movements and subjective time estimation.

Cited by 11 publications

References 50 publications

Implied Movement in Static Images Reveals Biological Timing Processing

Implied Movement in Static Images Reveals Biological Timing Processing

Efeitos da manipulação de uma obra de arte sobre o tempo subjetivo de pacientes com Doença de Parkinson

The Sense of Time While Watching a Dance Performance

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