“…The prototypical core of the aesthetic reception attitude refers to fictional literary texts; their fictionality signals are the decisive trigger for the aesthetic reception attitude (see Henrich & Iser, 1983;Nickel-Bacon, Groeben, & Schreier, 2000). The complexity and polyinterpretability of these texts can be so high (in particular within the framework of modern aesthetics since the beginning of the 20th century: see Friedrich, 1956;Plumpe, 1993) that an unambiguous and definite comprehension product is not possible. Nevertheless, the process of reception is reflexively experienced and evaluated positively, even if the text itself is not liked, e.g.…”