1993
DOI: 10.1007/978-3-322-97031-2
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Ästhetische Kommunikation der Moderne

Abstract: Das Werk einschlieBlich aHer seiner Teile ist urheberrechtlich geschiitzt. Jede Verwertung auBerhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne Zustimmung des Verlags unzuHissig und strafbar. Das gilt insbesondere fiir VervieWiltigungen, Dbersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Systemen.

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Cited by 35 publications
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“…The prototypical core of the aesthetic reception attitude refers to fictional literary texts; their fictionality signals are the decisive trigger for the aesthetic reception attitude (see Henrich & Iser, 1983;Nickel-Bacon, Groeben, & Schreier, 2000). The complexity and polyinterpretability of these texts can be so high (in particular within the framework of modern aesthetics since the beginning of the 20th century: see Friedrich, 1956;Plumpe, 1993) that an unambiguous and definite comprehension product is not possible. Nevertheless, the process of reception is reflexively experienced and evaluated positively, even if the text itself is not liked, e.g.…”
Section: The Aesthetic-emotional Evaluation: a Neglected Dimension Anmentioning
confidence: 99%
“…The prototypical core of the aesthetic reception attitude refers to fictional literary texts; their fictionality signals are the decisive trigger for the aesthetic reception attitude (see Henrich & Iser, 1983;Nickel-Bacon, Groeben, & Schreier, 2000). The complexity and polyinterpretability of these texts can be so high (in particular within the framework of modern aesthetics since the beginning of the 20th century: see Friedrich, 1956;Plumpe, 1993) that an unambiguous and definite comprehension product is not possible. Nevertheless, the process of reception is reflexively experienced and evaluated positively, even if the text itself is not liked, e.g.…”
Section: The Aesthetic-emotional Evaluation: a Neglected Dimension Anmentioning
confidence: 99%