DOI: 10.11606/t.27.2018.tde-11012018-155557
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Arte contemporânea, museu e arquivo: desafios da ciência da informação

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“…Historically, the relationship between work of art and museums allowed artworks to become part of these settings more often from the nineteenth century onwards with the primary goal of aesthetic contemplation. In museums, the conceptions were associated to the attribute of power and value; later they involved administrative and exhibition issues without, however, exploring the potential of their art objects as a source of information, with little focus on research, memories, and information retrieval (Pinheiro, 1996;Rodrigues & Crippa, 2009).…”
Section: Contemporary Productions: Influences Issues and Reflectionsmentioning
confidence: 99%
“…Historically, the relationship between work of art and museums allowed artworks to become part of these settings more often from the nineteenth century onwards with the primary goal of aesthetic contemplation. In museums, the conceptions were associated to the attribute of power and value; later they involved administrative and exhibition issues without, however, exploring the potential of their art objects as a source of information, with little focus on research, memories, and information retrieval (Pinheiro, 1996;Rodrigues & Crippa, 2009).…”
Section: Contemporary Productions: Influences Issues and Reflectionsmentioning
confidence: 99%