Além da senzala: arranjos escravos de moradia no Rio de Janeiro (1808-1850)

Abstract

The present dissertation examines the different slave-arranged housing in Rio de Janeiro in the period between 1808 to 1850 from the complex relations established between slave, owners and the State. The big slave mobility, which was a characteristic of the great urban centers, made possible slave's autonomy to widen itself through dwelling activity, whose variety could be observed in the stories of travelers, police documents, municipal positions, order and licenses directed to the City Council and post-mortem inventories. Besides, the diversity of slave's dwelling allows us to understand more deeply the determining factors that made possible the maintenance of the slavery institution during the disturbing period of Brazilian National State formation, and, also, how slaves and their descendants could create anew bonds of solidarity, affection and kinship in the middle of these process.

Currículo Escolar do Ensino Médio: interfaces com angústia existencial e finitude humana

“…Na abordagem de Santos (1971), a juventude gosta de ouvir aqueles que sabem o que dizem. O professor tem grande influência na melhora do conhecimento humano.…”

Patrimônio Afro-Brasileiro no Contexto da Educação Escolar Quilombola

“…The insertion of the community's cultural activities has been occurring since 2005, by the resident Dalma dos Santos, who currently holds the position of director of Memorial de Machadinha, a cultural space which preserves the memory of the community (Santos, 2016). It is a space which expands the school education of children, since every week when they leave school, they go there with the aim of participating in the Flores da Senzala project, which holds youth jongo and fado 13 workshops and storytelling, under the coordination of Dalma.…”

“…12 Ponto de jongo sung by the Tambores de Machadinha group. It refers to the flight of slaves: when the roster, who was the overseer, slept, the chick, who was the slave, ran away (Santos, 2016).…”

French classical music and Brazil: Beyond Franco-German rivalry

“…The proud Italian singers claimed that they were singers enshrined in various European courts, and would not submit themselves to the musical direction, or to the work of an inferior human being. (Santos, 2009: 102)…”