A New Concept of Color Fidelity for Museum Lighting

Schanda, J.; Csuti, Péter; Szabó, Ferenc

doi:10.1080/15502724.2014.978503

Cited by 17 publications

(10 citation statements)

References 8 publications

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“…Besides, the results have been presented with some suggestion to improve the lighting technology in the museum (De Graaf et al, 2014). To minimize damage because of light sources, Schanda et al (2016) presented a new paradigm introduced as a lighting optimization program so that each color under artificial light can be seen in the same color as under the light that were painted (Schanda et al, 2016). The temperature and humidity, resulted from direct sunlight and high-level illumination, are also the adverse factors that could damage the artworks and produce an uncomfortable visual environment.…”

Section: Liturature Reviewmentioning

confidence: 99%

“…The museum lighting is one of the most important tasks for lighting designers. Two opposing demands on the lighting duty were achieving the best form of displaying and preserving artworks (Schanda et al, 2016) Thus, from the Pareto chart, it can also be concluded that the protection of objects against light is a specific factor in lighting solution that must be paid particular attention.…”

Section: Protection Artwork From Lighting Damagementioning

confidence: 99%

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Identification of effective criteria to improve lighting quality in existing art museums

Hassanizadeh¹,

Noorzai

Mohseni³

2020

JFM

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Purpose The purpose of this study is to identify effective lighting criteria in the museum from two theoretical and practical points of view. Design/methodology/approach Assessment of theoretical and practical weight of criteria was taken with the aim of concurrent attention in scientific and executive. Finally, ten effective criteria were identified by the Pareto chart. Findings The findings of this study represents a centralized reference source of the most important criteria and also effective guidance to improve the lighting quality and effective guideline to improve the lighting quality and operational fluency. Practical implications The paper can help the lighting experts, contemporary designers and future researchers to enhance the lighting function in art museums and design based on needs as well as up-to-date techniques. Originality/value Lighting as a fundamental element in the existing art museum has a significant impact on the better understanding of the artworks by the viewers. On the other hand, according to the importance of protecting valuable museum artefacts, lighting can have an effective or destructive impact on them directly. But with consideration of different museum lighting, there is a large range of effective lighting criteria that can choose the right methods harder.

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Section: Liturature Reviewmentioning

confidence: 99%

Section: Protection Artwork From Lighting Damagementioning

confidence: 99%

Identification of effective criteria to improve lighting quality in existing art museums

Hassanizadeh¹,

Noorzai

Mohseni³

2020

JFM

View full text Add to dashboard Cite

show abstract

“…With this method, color consistency remains constant across several luminaires that target different zones within the artwork. However, the composition of the light spectrum is modified on each individual spotlight using the various color channels-the result is that certain material colors in individual zones of the image or within an exhibition have a different effect and that color rendering is therefore modified (Csuti et al 2015;Houser et al 2016;Schanda et al 2016). This process enables single colors-for example, a blue sky-to be emphasized in terms of color impression while avoiding the shifting of colors toward blue elsewhere in the image or on other artworks in the exhibition room.…”

Section: Interpreting Artwork With Hyperrealismmentioning

confidence: 99%

Interpreting Art with Light: Museum Lighting between Objectivity and Hyperrealism

Schielke¹

2019

LEUKOS

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Light renders art visible in museums. At the same time, light also interprets. In this regard curators, architects, conservators, lenders, artists, and visitors often have differing expectations about how art should be appropriately displayed. This article is based on the aesthetics of image and exhibition and presents six categories of display-ranging from the objective reception of art to hyperrealism and the dynamic communication of art treasures. Differentiation occurs based on three aspects: The content within the artworks, formal aspects of the image medium, and the spatial and temporal surroundings of the work. By analyzing the artwork's brightness, contrast, and light atmosphere, curators can appropriately specify lighting for the room and exhibit to aesthetically establish a common link between the observer and the artwork or to realize a modification for emphasizing a conceptual idea. The analysis also offers criteria as to what extent the lighting concept communicates an authentic impression in relation to the perception of how the artist created the picture. ARTICLE HISTORY

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“…In the second phase of the experiment the corresponding colour theory [Schanda 2014 investigated and further tests were carried out where the effect of the correlated colour temperature and illuminance level was investigated as well. These tests were performed with nine observers.…”

Section: "Similar To Daylight" Appearancetesting "Corresponding Coloumentioning

confidence: 99%

Latest Results on LED Museum Lighting: Colour Quality and Artwork Preservation

Csuti¹,

Szabó²

2015

Proceedings of the 21st International Conference LIGHT SVĚTLO 2015

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This paper describes a comprehensive study on museum lighting: one part of the study investigates the damage potential of LED museum lighting by generating composite LED spectra with the help of a mathematical algorithm, while the other part investigates the effects of LED lighting on the appearance of artworks. Spectral optimization of LED light has been carried out by using historical pigment reflectance samples instead of the test colour samples used in the CIE CRI method [CIE 1995], because the reflectance of these historic pigments is significantly different from the reflectance of today's pigments.

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A New Concept of Color Fidelity for Museum Lighting

Cited by 17 publications

References 8 publications

Identification of effective criteria to improve lighting quality in existing art museums

Identification of effective criteria to improve lighting quality in existing art museums

Interpreting Art with Light: Museum Lighting between Objectivity and Hyperrealism

Latest Results on LED Museum Lighting: Colour Quality and Artwork Preservation

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