Entidades performáticas e desestabilização: o desenvolvimento local para além do &lt;em&gt;mainstream&lt;/em&gt;

Meyer, Gustavo; Marques, Flávia Charão; Barbosa, Gabriel Túlio de Oliveira

doi:10.20435/1518-70122016104

Cited by 4 publications

(4 citation statements)

References 3 publications

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“…Economic transformation: Creative economy as an "engine" part of transformation, contribution, and economic growth (also cultural and sustainable) of a locality, region and/or nation (Yúdice, 2019;Pancheri Teixeira et al, 2019;Pereira de Castro Pacheco & Benini, 2018;Adebola Abisuga Oyekunle & Sirayi, 2018;Quadrado Closs & Rocha de Oliveira, 2018;Lima Guilherme & Gondim, 2018;Maimon Schiray et al, 2017;Pereira de Castro Pacheco et al, 2017;Adebola Oyekunle, 2017;Closs & Rocha de Oliveira, 2017;Santos Vieira de Jesus, 2017;Meyer et al, 2016;Kon, 2016;Héraud, 2021;Sampaio Rodrigues Grazinoli Garrido & Vasconcellos Amaral, 2016;de Amorim Barbosa & Salett Tauk Santos, 2015;Bostaph, 2013;Foster, 2010).…”

Section: Economic-financial Dimensionmentioning

confidence: 99%

“…Actions and importance of public authorities in the creative sectors, territories, and cities; proposing, promoting and implementing public policies that an impact on economic development at regional and local levels (Sleuwaegen & Ramboer, 2020;Yúdice, 2019;Pancheri Teixeira et al, 2019;Pereira de Castro Pacheco & Benini, 2018;Adebola Abisuga Oyekunle & Sirayi, 2018;Quadrado Closs & Rocha de Oliveira, 2018;Lima Guilherme & Gondim, 2018;Maimon Schiray et al, 2017;Pereira de Castro Pacheco et al, 2017;Adebola Oyekunle, 2017;Closs & Rocha de Oliveira, 2017;Santos Vieira de Jesus, 2017;Meyer et al, 2016;Vaz de Melo & Leite Paiva, 2016;Kon, 2016;Héraud, 2021;Nogueira de Paiva Britto, 2016;Foster, 2010).…”

Section: Public Powermentioning

confidence: 99%

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Creative Economy and the Quintuple Helix Innovation Model: A Critical Factors Study in the Context of Regional Development

et al. 2023

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Creative economy is the area of knowledge that explores the intangible and symbolic aspects and feeds on creative talents, individually and/or collectively organized, in order to produce creative goods and services. This type of economy has its own dynamics, and it disturbs the traditional economic models. This study investigated creative economy comprehensively and aims to analyze the critical factors inherent in the dynamics of creative economy for regional development, considering the helix model of innovation (quintuple helix innovation model), aligned with entrepreneurship and innovation. To this end, the methodology used was systematized exploratory research, treated within three dimensions – the economic-financial, the socio-anthropological, and the techno-innovative. The conclusion of the study was the identification of fifteen critical factors, the direct creative economy relationship with the quintuple helix innovation model in all its helixes, as well as its “Mode 3” of the dynamics of knowledge generation, creation, and dissemination. The study also highlighted the importance of creative economy as one of the “engines” of regional development, in an economic, financial, social, technological, and sustainable way, driven by the government, its networks, and its actors.

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Section: Economic-financial Dimensionmentioning

confidence: 99%

Section: Public Powermentioning

confidence: 99%

Creative Economy and the Quintuple Helix Innovation Model: A Critical Factors Study in the Context of Regional Development

et al. 2023

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“…There are also creative regions that emerge from the symbolism of the images of Guimarães Rosa, such as the case with Arinos and the Chapada Gaúcha, which was researched by Meyer et al (2016). The symbolism of Guimarães Rosa, from literature to image worship and divulging source places, distinguishes the region as being a literary landscape, of having an immaterial value that has encouraged tourism and increased local craftsmanship in the backlands of Minas Gerais.…”

Section: Activities In the Creative Sectors In Local And Regional Projectsmentioning

confidence: 99%

Workers, producers and the creative experience

Itani

Rei

2018

BJO&PM

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Creative activities assume a measure of importance within what is known as the creative economy. Little is known, however, about the challenges and prospects that present themselves to those who work in those activities that are considered to be creative. The objective of this paper is to analyze workers' experiences, especially in individual projects. Statements were taken from workers who have already worked in companies. The experiences of these workers were analyzed on the basis of what they express in relation to the items: their relationship with the activity, the product, or the result of the work; their relationship with the time and value of the work; their understanding of creation; their possibility for creating; their mastery of the work process; and their understanding of the work process. It was found that the women in the cases chosen are highly trained for developing their particular activity and have a relationship with it that is highly positive. They recognize that their activity is of value to society. The value of the work, however, is related to the time spent on the activity, which has not been remunerated for a long time. There are challenges for those who depend on the time taken to sell the product, a process that is carried out with little support. Everyone masters and understands the work process undertaken in the activity, and they identify the product, or the result of their work. They realize that there are many possibilities for creation. Even when an idea has been developed before, there is the possibility of innovating.

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“…As ações artístico-culturais realizadas por esses cinco narradores em Arinos devem ser entendidas ocorrendo por dentro de -ou integradas às -ações de uma rede maior de atores que coloco enquanto "contestatórios", organizados e reconhecidos enquanto sociedade civil ou movimento social. Trata-se de uma rede bastante coesa, cujo discurso valoriza a cultura da "roça" e recorre a uma narrativa literária fundada no escritor João Guimarães Rosa, em processo de retroalimentação da narrativa nativa (Meyer, Marques e Barbosa 2016). A narrativa faz contraponto à ideia hegemônica de desenvolvimento, fundada na "modernização do campo", e é forjada, particularmente, em eventos e processos artístico-culturais emblemáticos na região que circunda e envolve Arinos.…”

Section: Introductionunclassified

Entidades performáticas e desestabilização: o desenvolvimento local para além do <em>mainstream</em>

Cited by 4 publications

References 3 publications

Creative Economy and the Quintuple Helix Innovation Model: A Critical Factors Study in the Context of Regional Development

Creative Economy and the Quintuple Helix Innovation Model: A Critical Factors Study in the Context of Regional Development

Workers, producers and the creative experience

A vida na cidade e a invenção da “cultura”: imagens de desenvolvimento a partir da “roça”

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