Coordenação e controlo de movimentos musicais e desportivos: visão dinâmica da cognição e ação

Abstract

Resumo:Este artigo estuda a coordenação e controlo de movimentos desportivos e musicais emergindo essencialmente da ação do executante, da tarefa e do envolvimento onde esta tem lugar. Para tal, numa visão dinâmica, conclui-se que o cérebro é apenas mais um elemento no controlo deste processo, não tendo nenhum papel hierarquicamente dominante.Palavras-chave: música e desporto; movimento e coordenação motora; comportamento motor. Abstract:This article aims at showing that the coordination and control of musical and sports movements emerge essentially from the performer's action, the task and the surrounding environments. In a dynamic perspective, one concludes that the brain is only one of the many components in this control process, not playing a hierarchically dominant role.

Methodology and Experimental Protocol for Studying Learning and Motor Control in Neuromuscular Structures in Pilates

“…However, the current limitations include (i) great sample heterogeneity; (ii) predominance of female sex; (iii) absence of effective assessment of long-term effects; (iv) variation in types of intervention (e.g., with or without equipment); and (v) the study of the cost-benefit ratio [4]. To address these limitations, we propose a multifactorial analysis approach based on dynamic, ecological, and cognitive perspectives [5,6]. Our study incorporates echography, electroencephalography, gaze behavior, and kinematic data to provide a broader understanding of the effects and potential benefits of Pilates in the current context [7].…”