“…Such typifications abound in Brazilian writing, in fictional narratives and in the essay alike, from the 1930s onwards, and indeed can be encountered in works from the late nineteenth century. However, once they have undergone a process of mythification, they become transformed into ‘ideological formulas of reiteration’: as the formulas are reiterated, orally or in writing (given that some notable texts are read and re‐read, discussed and repeated), a process of ideologisation or reification may take place (Ianni, : 8). The same point could be made in relation to Argentinean culture and a number of its foundational texts: for example, the interpretative exercise carried out on Martín Fierro by Leopoldo Lugones and Ricardo Rojas to transform a ‘malevolent gaucho ’ into a new Achilles or El Cid; or the wonderful second chapter of Facundo , in which Sarmiento sets out the typifications that will become crucial markers of Argentinean barbarism (the evil gaucho , the singer, the guide, the tracker); or the definitive invention of the patriotic gaucho in the Third Song of Rafael Obligado's Santos Vega , in which almost a century of bloody civil war is resolved by a loyal gaucho who makes a successful call for the defence of Buenos Aires in the middle of a peaceful game of pato .…”