Coral amador: efeitos de uma proposta de intervenção fonoaudiológica

Abstract

OBJETIVO: verificar os efeitos de uma proposta de intervenção fonoaudiológica com base na prática educativa, por meio de avaliação de fonoaudiólogos, professores de canto e dos próprios coristas amadores participantes, analisando, em momento pré e pós-intervenção fonoaudiológica, os parâmetros de respiração, projeção e tessitura vocal na voz cantada. MÉTODOS: o programa teve o referencial teórico de ZABALA (1998) sobre a prática educativa. Dez cantores de coral amador responderam a um questionário de caracterização e realizaram gravações da extensão vocal e canto, pré e pós-intervenção. Durante seis encontros, foi abordado o aquecimento vocal, anatomia e fisiologia da voz cantada, bem-estar vocal, respiração e propriocepção da voz. As gravações foram analisadas por juízes fonoaudiólogos e professores de canto, que avaliaram a respiração, projeção e tessitura vocal. Os coristas, sem acesso às gravações, realizaram auto-avaliação dos mesmos parâmetros. RESULTADOS: avaliação dos juízes: tessitura vocal teve mais alterações positivas, seguida da respiração e projeção vocal. Todos os parâmetros tiveram mudanças significantes (p < 0,01). Fonoaudiólogos analisaram a tessitura vocal mais de acordo com o esperado, professores de canto consideraram a projeção, e a respiração apresentou dados equivalentes estatisticamente. Os resultados por sujeito mostraram que dois cantores apresentaram melhoras em todos os parâmetros analisados e sete deles, em pelo menos dois deles. Os cantores perceberam melhoras em todos os aspectos. CONCLUSÃO: a intervenção teve efeitos positivos nos coristas e mostrou a necessidade de realizar estudos que avaliem o processo em si, a fim de se valorizar a atuação do fonoaudiólogo na voz cantada.

Produção fonoaudiológica sobre voz no canto popular

“…Afterwards, other seven articles (8)(9)(10)(11)(12)(13)(14) and two theses (15,16) were excluded as they were not conducted with popular singers, but with choir singers and/or choir conductors. One article was excluded as it deals with a case study with the purpose of reflecting on the mother-baby relationship, by means of body therapy associated to the singing voice production, whose participant had experience with classical music (17) .…”

Coro universitário: autopercepção de sintomas vocais e desvantagem vocal no canto

“…The benefit provided by speech therapy has been proven in other studies [22][23][24] in which the singer himself reported improvement in his voice. Speech pathologists, singing teachers but also the choristers themselves perceive positive changes in vocal aspects, as in vocal range, breath and voice projection, after being held these interventions [21][22][23][24] .…”

“…The benefit provided by speech therapy has been proven in other studies [22][23][24] in which the singer himself reported improvement in his voice. Speech pathologists, singing teachers but also the choristers themselves perceive positive changes in vocal aspects, as in vocal range, breath and voice projection, after being held these interventions [21][22][23][24] . It can be seen that the highest score, with respect to CPIC, was in Defect subscale, followed by the Disability and Handicap; these data are equivalent to the findings of other similar studies 12,17,18,25 , in which the defect and disability subscales had higher scores than the subscale Handicap for all singers.…”

Caracterização dos aspectos vocais de um coro infantojuvenil

“…This is the reason why actions by a Speech-Language Pathologist is essential in the control of vocal misuse and abuse in both spoken and singing voices, as the Speech-Language Pathologist, in partnership with the vocal instructor, has subsidies to study and analyze the best techniques for choir singers: respiratory support, coordination between breath and speech, speech articulation, tuning, among other behaviors [18][19][20] . In this context, the evaluation of child and adolescent choir singers provides systematized data about vocal problems, the potentials and limitations that may influence vocal quality, aimed at a good performance and development of the singer 20 .…”

“…The SpeechLanguage Pathologist may act in choirs, aiming to improve singers' performances and favoring good and effortless vocal emissions. This job, performed by Speech-Language Pathologists alongside vocal instructors is crucial in order to increase the group's capacities and to assure a better sound and artistic result 18 . Therefore, the purpose of this study was to characterize the aspects regarding vocal health, choir singers' knowledge about caring for their own voices, and to conduct an auditory perceptive analysis of the spoken voice, in a child and adolescent choir.…”