2019
DOI: 10.1590/0103-6351/5769
|View full text |Cite
|
Sign up to set email alerts
|

The cultural sector’s productive chain in Brazil: estimation and structural change from 2011 to 2015

Abstract: The objective of this article is to estimate the productive chain of the cultural sector in the Brazilian economy between the years 2011 and 2015 and to evaluate its structural change throughout this period. We estimated the input-output matrices for the years 2011 and 2015 using the methodology developed by Guilhoto and Sesso (2005). The method developed by Dietzenbacher et al. (2005) was applied in order to detect the productive chain and its evolution during this period. The results indicate that the cultur… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
1
0

Year Published

2021
2021
2023
2023

Publication Types

Select...
3

Relationship

0
3

Authors

Journals

citations
Cited by 3 publications
(1 citation statement)
references
References 15 publications
(10 reference statements)
0
1
0
Order By: Relevance
“…In this new framework, culture would gain a central role in fostering both economic growth and social inclusion -an ambitious undertaking that was seemingly not "a mere cultural policy" but rather "a development policy based on culture" (De Marchi, 2014: 208). The efforts to develop the creative industries in Brazil, however, met with various shortcomings, from the Ministry of Culture's lack of funds to political discontinuity, which rendered initiatives in this direction "unstable and random" (Morrone andValiati, 2019: 1177). Moreover, these initiatives remained centralized in Rio de Janeiro, a city that has long been "a cultural center for Brazil given the historic concentration of government agencies and financial investment in cultural activities" (Marsh, 2016: 3028).…”
Section: Creative Policy Making and The Film Industry In Brazilmentioning
confidence: 99%
“…In this new framework, culture would gain a central role in fostering both economic growth and social inclusion -an ambitious undertaking that was seemingly not "a mere cultural policy" but rather "a development policy based on culture" (De Marchi, 2014: 208). The efforts to develop the creative industries in Brazil, however, met with various shortcomings, from the Ministry of Culture's lack of funds to political discontinuity, which rendered initiatives in this direction "unstable and random" (Morrone andValiati, 2019: 1177). Moreover, these initiatives remained centralized in Rio de Janeiro, a city that has long been "a cultural center for Brazil given the historic concentration of government agencies and financial investment in cultural activities" (Marsh, 2016: 3028).…”
Section: Creative Policy Making and The Film Industry In Brazilmentioning
confidence: 99%