Zaman Kerajaan Majapahit merupakan cikal bakal munculnya Gapura. Pada zaman tersebut gapura memiliki fungsi sebagai pintu masuk menuju kerajaan. Pergeseran masa menunjukkan pergeseran fungsi terhadap gapura yang saat ini menjadi penanda menuju masuknya suatu kota termasuk Kota Malang. Gapura perbatasan pintu masuk di Kota Malang teridentifikasi memiliki karakter yang mirip dengan salah satu candi peninggalan Majapahit yaitu Gapura Wringin Lawang yang terletak di Mojokerto, Jawa Timur. Studi ini bertujuan untuk memvisualisasikan kesesuaian karakter visual gapura perbatasan di Kota Malang dengan Gapura Wringin Lawang. Penyandingan empat gapura perbatasan dengan Gapura Wringin Lawang dianalisis dengan mengidentifikasi elemen desain, prinsip desain, dan ciri fisik gapura. Hasil penelitian ini menunjukkan kesesuaian secara visual pada gapura pintu masuk di Kota Malang dengan Gapura Wringin Lawang. Kesesuaian elemen desain meliputi: garis, bentuk, massa, ruang, dan tekstur. Pada prinsip desain persamaan terdapat pada keseimbangan, kontras dan penekanan, bentuk, koneksi, makna, simbol, dan citra, pola, skala dan proporsi, ritme dan variasi. Pada bagian ciri fisik terdapat pula kesamaan yaitu bagian kepala, badan, dan kaki gapura.Kata-Kata Kunci: karakteristik, visual, gapura, penanda, batas kota VISUAL CHARACTERISTIC OF GAPURA WRINGIN LAWANG ON THE GATES OF MALANG CITY’S BOUNDARY AbstractThe era of the Majapahit Kingdom was the forerunner to the appearance of the Gapura (gate). At that time, the Gapura was built as the entrance to the kingdom. Over time, the function has shifted as a signifier of a city boundary, as found in Malang City. The boundary gate of Malang City identified has a character similar to the Majapahit heritage temples, namely the Wringin Lawang Gate located in Mojokerto, East Java. This study aims to visualize the suitability of the visual characteristics of the border gate in the northern, eastern, western and southern of Malang City with the Wringin Lawang Gate. The comparison of the four gates with Wringin Lawang Gate was analyzed by identifying its elements, principles, and physical characteristics. The results of this study indicate the visual suitability. The suitability of elements found in lines, shapes, mass, space, and textures. On the principle of design, equality identified in balance, contrast and emphasis, form, connection, meaning, symbol, and image, pattern, scale and proportion, rhythm and variation. While in the physical characteristics, there are also similarities in the part of the head, body, and leg of the gate.Keywords: characteristics, visual, gate, signifier, city’s boundary REFERENCESAlston, W. (1964). Psychoanalytic Theory and Theistic Belief’ in J. Hick (ed.) Faith and the Philosophers. New York: St. Martin’s Press.Adenan, K., Budi, B. S., & Wibowo, A. S. (2012). Karakter Visual Arsitektur Karya A.F. Aalbers di Bandung ( 1930-1946 )-Studi Kasus : Kompleks Villa’s dan Woonhuizen. Jurnal Lingkungan Binaan Indonesia, 1(1).Berry, W. (1980). Building Next to History. State: Historical society of Colorado: Good Neighbors.Dietrich, K. (2006). Raic Syllabus Thesis Submission A Design for Architectural Education. Canada: Raic Syllabus Royal Architectural Institute of Canada.Mohan, G. M. S. (2006). Principles of Architecture. india: Oxford University Press.Prasodjo, T., & Degroot, V. (2013). Magical Prambanan. PT (Persero) Taman Wisata Candi Borobudur, Prambanan & Ratu Boko.Rahadian, P. (2018). Eksistensi Candi Sebagai Karya Agung Arsitektur Indonesia di Asia tenggara. (R. Emmy, Ed.). D.I Yogyakarta: PT. Kaniskus.Rapoport, A. (1978). House Form and Culture. Milwaukee: University of Winconsin.Sosial, K., Kholisya, U., Maya, S., & Purnengsih, I. (2017). Karakteristik Gapura Di Kecamatan Kebakkramat Kabupaten Karanganyar Jawa Tengah (Kajian Sosial Budaya dan Ekonomi). Jurnal Desain, 04 No.02,(1957).Suwarna. (1987). Tinjauan Selintas berbagai Jenis gapura Di Daerah Istimewa Yogyakarta (0.2 Volume). D.I Yogyakarta: Cakrawala Pendidikan.Yudoseputro, W. (2008). Jejak-Jejak Tradisi Bahasa Rupa Indonesia Lama. Seni Visual Indonesia, 192.
Lantebung mangrove ecotourism area has now been designated as a conservation and protection area for coastal ecosystems. The management of the Lantebung mangrove ecotourism area is inseparable from various parties, both from the government and the community around the ecotourism area, to support the success of mangrove ecotourism management. This study aims: to determine the role and interests of each actor in the management of the Lantebung mangrove ecotourism area. The data collection method is used in three stages, namely: snowball samplin method, data triagulation and data verification is done by content analysis. The data analysis stage of this research: identification of actors and their roles, analysis of the interests of the actors and mapping of the interests and effects of each actor. The results showed that the actors involved were Jekomala, Lurah Bira, Makassar city tourism office, fishermen group, marine and fisheries service of South Sulawesi, analysis of interests contained in the Green Belt, biodiversity, education and tourism. Mapping the interests and influence of Keyplayers : Jekomala, Makassar city tourism office, context setter: marine and fisheries service, Birah urban village, subject: Lantebung fishermen group.
Kampung Tridi, Jodipan Malang, which was initially a slum residential area has transformed now into a colorful area with a concept of colorful order, arranged linearly according to the houses pattern. This setting is positively effective to attract tourist interest to come and success in changing the aspect of social, culture and economy of the residents. The aspect which has been through adequate significant change is the economy, which is indicated from the number of residents who take benefit from their house's terrace that initially used as a conventional family area, now turn into an area of trading. This change is conducted to be economic support in order to fulfill their life needs. This research aims to identify the pattern of terrace utilization as the place where the trading activity takes place in Kampung Tridi Jodipan Malang. This research exerts the method of descriptive qualitative which identifies the pattern of terrace utilization through field survey, interview, and literature studies, while the method of analysis used behavior mapping. This research finding shows that the utilization pattern of the residential terrace as the trading spot is located exactly in the front part of the house, that is the terrace. The houses that using the terrace as the trading spot are mostly located in the front of the main path which leads to the Jembatan Kaca (Glass bridge) that connects Kampung Tridi with Kampung Warna-warni in the south.
Physical and non-physical changes that occur in the new building of the ex-Tjolomadoe Sugar Factory is one of the concrete evidences of conservation that implementing adaptive reuse approach in saving this 157-year-old factory construction. Once, this building actively serves as a sugar factory for many decades and then was abandoned for 20 years. Until in 2017, it was revitalized by changing its function from the factory to a cultural center and commercial area, then changed its name to “De Tjolomadoe”. This study aims to assess the authenticity of De Tjolomadoe by using the Nara Grid instrument. The research itself runs by combining qualitative and quantitative method with observations, strengthened by interviews and capturing opinions through questionnaire on various groups of people ranging from the layman to the experts. The result then has analyzed into the Nara grid table. It show that the authenticity of the building is still maintained. There are some changes especially in the interior to accomodate new functions, but does not eliminate the spatial form. The building structure also has strengthened and the addition of architectural elements and interior ornaments to make it more attractive to visitors.
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