ABSTRAKStudi ini dimaksudkan untuk menelusuri konfigurasi visual rupa yang membentuk tatasusunan, kegunaan dan makna dalam hubungannya dengan rona, serta gerak dan sifat konfigurasi visual rupa pada karya seni topeng Malangan tersebut. Hasil penelitian ini secara teoritik dapat menjelaskan hubungan antara dimensi visual dan fungsi karya rupa dalam membentuk bahasa tanda dan makna, yang diharapkan dapat digeneralisir untuk karya seni rupa sejenis dan dijadikan dasar metode transformasi desain yang berkarakter lokal. Penelitian ini memadukan pendekatan kualitatif dengan metoda survei. Instrumen utama berupa rekaman foto dan gambar fisik konfigurasi visual rupa topeng. Instrumen pendukung berupa wawancara dengan pelaku, pengrajin, dan seniman topeng Malangan di Dusun Kedungmonggo, Kecamatan Pakisaji, Kabupaten Malang. Penelitian ini menggunakan responden yang dipilih secara porposive sampling. Data yang diperoleh dari responden dikompilasi untuk memperoleh gambaran obyekobyek visual rupa yang mewakili dalam lingkup kesenian topeng Malangan. Hasil konfigurasi visual, gerak, ruang, dan musik yang diperoleh dari analisis hubungan diantaranya, selanjutnya diinterpertasi melalui wawancara, dianalisis untuk memperoleh gambaran menyeluruh konfigurasi seni rupa, seni gerak, seni pentas (ruang), seni musik (audio) topeng Malangan sebagai karya budaya lokal. ABSTRACTThis study is intended to explore the visual configuration in such a form governance structure, the usefulness and meaning in conjunction with hue, and motion and visual properties of such a configuration on the Malangan mask. Theoretical results of this study may explain the relationship between visual dimensions and functions of visual arts in shaping the language of signs and meanings, which are expected to be generalized to a kind works of art and design transformation methods form the basis of a local character. This research combines qualitative approaches with a survey method. The main instrument in the form of pictures and recordings of physical configurations such visual mask. Supporting instrument in the form of interviews with actors, craftmen, and artists in Malangan mask at Kedungmonggo, Pakisaji District, Malang Regency. This study uses selected respondents porposive sampling. Data obtained from respondents compiled to obtain an overview of visual objects that represent the scope of the visual arts Malangan mask. Results of visual configuration, motion, space, and music derived from the analysis of the relationship between them, then interpreted through interviews, analyzed to obtain an overall picture configurations art, art movement, art performances (space), music (audio) of Malangan mask as cultural work local.
Mosque is an architectural work and public facility that serves as a worship place for Muslims. Mosque architectural elements include domes (roofs), mihrab, minaret, arch, and ornaments. Mosque architecture comprises of various elements, which adapt to the local culture where the mosque is located. As such, its presence also bears some impacts on the appearance of urban architecture. Malang city as one of the major cities in East Java has numerous rapidly developing mosque architectures, including Jami’ Great Mosque of Malang, Sabilillah Mosque, Nurul Muttaqin Mosque, Ahmad Yani Mosque, and Manarul Huda Mosque. The meaning of architectural work is also closely related to the perception of humans who observe it. The public preference for the architectural characteristics of mosques in Malang city is a manifestation of architectural work. Conjoined analysis is employed as method operative to analyze public preference. This study aims to find out the architectural characteristics of mosques in Malang city according to public preferences. The findings can serve as a recommendation for the development of mosque architectural designs in Malang city, especially those possessing locality values. The architectural characteristics of mosques in Malang city which are driven by the public preferences ranging from the highest to the lowest, which is why mosques generally have calligraphy ornaments, circular arch, pentagon-shaped minaret, Indo-Persian dome, and two-minaret design.
A mosque is a place of worship for Muslims. The mosque's architectural elements include domes (roofs), mihrab, minarets, portals, and decorative ornaments. Elements of mosque architecture can express the identity of a mosque. Minaret often acts as a marker of the mosque's existence on a city scale. The minaret's design elements are the minaret head, minaret body, openings, ornaments, and structures that can be either integrated or separated from the mosque building. Five mosques located in Malang City are used as a case study in this research: Jami Great Mosque Malang, Sabilillah Mosque, Nurul Muttaqin Mosque, Ahmad Yani Mosque, and Manarul Huda Mosque. The people's preference for the characteristics of the minaret of mosque architecture in Malang City was analyzed using the conjoined analysis method. The purpose of this study is (1) Identify the variety of minaret design elements in mosque architecture in Malang City, (2) Understanding people's preferences for the composition of the minaret design elements, and (3) Analysing the characteristics of minaret based on community preference on the composition of mosque architecture in Malang City. The results showed that based on community preferences on the composition of mosque architecture in Malang City, the preferred characteristics of the minaret are (1) The shape of the minaret is a conical octagon, (2) The shape of the minaret head is a top dome, (3) The number of minarets is two, (4) Has an ornament, (5) Minaret structure is separate from the mosque building, and (6) Has an opening.
Evaluasi purna huni (EPH) ruang terbuka kampus bertujuan untuk menilai kenyamanan ruang, baik secara fisik maupun secara persepsi. Ruang terbuka yang menjadi studi kasus adalah lapangan dan gazebo di depan gedung rektorat Universitas Brawijaya (UB). Penelitian ini memadukan pendekatan kualitatif dengan metode survei, dengan instrumen utama rekaman foto, kuisioner, serta wawancara. Responden dipilih secara purposive. Data dari responden diolah untuk memperoleh gambaran perilaku pengguna ruang terbuka. Interpretasi dari hasil EPH dianalisis untuk memperoleh gambaran menyeluruh tentang efisiensi ruang terbuka bagi penggunanya. Hasil yang diperoleh menunjukkan bahwa gazebo kurang dapat mengakomodasi kenyamanan pengguna ruang terbuka kampus UB pada aspek privasi dan persepsi. Aspek interaksi dapat mengakomodasi kenyamanan pengguna gazebo dengan baik (lebih dari 50%), sedangkan aspek orientasi dinilai cukup dapat mengakomodasi (50%). Ruang terbuka kampus UB berupa lapangan rektorat masih kurang dapat mengakomodasi kenyamanan pengguna ruang terbuka kampus, baik dari aspek privasi, interaksi, persepsi, maupun orientasi, dimana setiap aspek tersebut nilai evaluasinya kurang dari 50%.
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