In the present study, we investigated whether luminance and the side of response execution are associated, showing a SNARC-like effect (faster responses with the left hand for dark stimuli, and vice versa for light stimuli). A total of 30 participants were tested in two experiments. In Experiment 1, the association between space and the luminance of chromatic stimuli was directly tested (brightness discrimination). In Experiment 2, the same spatial association was tested indirectly (hue discrimination). The results showed that participants responded faster with their left hand to hues with lower luminance, and with their right hand to hues with higher luminance, in either the direct or the indirect task. The consistency of this association in both tasks demonstrates the automaticity of the SNARC-like effect for luminance.
The SNARC effect is considered an evidence of the association between numbers and space, with faster left key-press responses to small numbers and faster right key-press responses to large numbers. We examined whether visually presented note values produce a SNARClike effect. Differently from numbers, note values are represented as a decreasing left-toright progression, allowing us to disambiguate the contribution of order and magnitude in determining the direction of the effect. Musicians with formal education performed a note value comparison in Experiment 1 (direct task), a line orientation judgment in Experiment 2 (indirect task), and a detection task in Experiment 3 (indirect task). When note values were task relevant (direct task), participants responded faster to large note values with the left key-press, and vice versa. Conversely, when note values were task irrelevant (indirect tasks), the direction of this association was reversed. This evidence suggests the existence of separate mechanisms underlying the SNARC effect. Namely, an Order-Related Mechanism (ORM) and a Magnitude-Related Mechanism (MRM), that are revealed by different task demands. Indeed, according to a new model we proposed, ordinal and magnitude related information seem to be preferentially involved in direct and indirect tasks, respectively.
Previous research has demonstrated that auditory rhythms affect both movement and physiological functions. We hypothesized that the ecological sounds of human breathing can affect breathing more than artificial sounds of breathing, varying in tones for inspiration and expiration. To address this question, we monitored the breath duration of participants exposed to three conditions: (a) ecological sounds of breathing, (b) artificial sounds of breathing having equal temporal features as the ecological sounds, (c) no sounds (control). We found that participants' breath duration variability was reduced in the ecological sound condition, more than in the artificial sound condition. We suggest that ecological sounds captured the timing of breathing better than artificial sounds, guiding as a consequence participants' breathing. We interpreted our results according to the Theory of Event Coding, providing further support to its validity, and suggesting its possible extension in the domain of physiological functions which are both consciously and unconsciously controlled.
In a recent paper by Casasanto and Pitt (2019), the authors addressed a debate regarding the role of order and magnitude in SNARC and SNARC-like effects. Their position is that all these effects can be explained by order, while magnitude could only account for a subset of evidence. Although we agree that order can probably explain the majority of these effects, in this commentary we argue that magnitude is still relevant, since there is evidence that cannot be explained based on ordinality alone. We argue that SNARC-like effects can occur for magnitudes not clearly characterized by overlearned ordinality and that magnitude can prevail on order, when the two are pitted against each other. Finally, we propose that different interpretations of the role of order and magnitude depend on the interaction of stimulus properties and task demands.
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