This review paper offers a summary of historical techniques and materials used to produce plaster casts and to treat their surfaces, as found in the historical literature. It reviews a selection of manuals, treatises, and recipe books on the art of the cast makers as well as a selection of patents related to the manufacturing of casts and the coating of their surfaces. The introduction to the review shows how relevant archival, historical, and technical investigation demonstrates that nineteenth century replicas are works of cultural significance in their own right, by means of a synthesis of background information. This paper also offers a brief introduction to plaster moulding and casting as well as a summary of historical recipes on how to treat the surfaces of plaster casts to change the surface properties or their appearance. This review aims therefore to provide a summary of materials used by the nineteenth-century plasterer, and technical information for the use of conservators, researchers, and curators who engage in the care and study of historical plaster casts. Examples from the Victoria and Albert Museum's collection support the information found in the historical literature.

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Spectrally-resolved imaging provides a spectrum for each pixel of an image that, in the mid-infrared, can enable its chemical composition to be mapped by exploiting the correlation between spectroscopic features and specific molecular groups. The compatibility of Fourier-transform interferometry with full-field imaging makes it the spectroscopic method of choice, but Nyquist-limited fringe sampling restricts the increments of the interferometer arm length to no more than a few microns, making the acquisition time-consuming. Here, we demonstrate a compressive hyperspectral imaging strategy that combines non-uniform sampling and a smoothness-promoting prior to acquire data at 15% of the Nyquist rate, providing a significant acquisition-rate improvement over state-of-the-art techniques. By illuminating test objects with a sequence of suitably designed light spectra, we demonstrate compressive hyperspectral imaging across the 700–1400 cm-1 region in transmission mode. A post-processing analysis of the resulting hyperspectral images shows the potential of the method for efficient non-destructive classification of different materials on painted cultural heritage.

Four nineteenth-century casts of the decoration on the north side of the exterior of the apse of the Notre-Dame Cathedral in Paris are held in the plaster casts collection at the Victoria and Albert Museum in London. The casts were manufactured by two different nineteenth-century workshops, one run by Jean Pouzadoux and the other by Auguste Malzieux. After an assessment of the condition of the casts, a scientific analysis allowed the characterization of the manufacturing materials and subsequent conservation treatments aimed at ensuring the stability of the casts and removing dirt and grime from the casts’ surfaces. Optical microscopy of the samples taken from the casts allowed the stratigraphy to be studied, which largely consisted of gypsum plaster and a coating layer (oxidized diterpenic resin or shellac) containing silicon and aluminium partially diffused in the porous substrate. These materials were identified by a range of techniques, including X-ray diffraction, scanning electron microscope–energy dispersive X-ray spectroscopy, Fourier transform infrared spectroscopy, and gas chromatography/mass spectrometry. The conservation works returned stability to the panels for redisplay in the galleries and achieved a closer comparative study between the two workshops. The two sets of panels showed numerous differences in manufacturing processes that corresponded to their observed deterioration.