This section includes eighty-six short original essays commissioned for the inaugural issue of TSQ: Transgender Studies Quarterly. Written by emerging academics, community-based writers, and senior scholars, each essay in this special issue, ''Postposttranssexual: Key Concepts for a Twenty-First-Century Transgender Studies,'' revolves around a particular keyword or concept. Some contributions focus on a concept central to transgender studies; others describe a term of art from another discipline or interdisciplinary area and show how it might relate to transgender studies. While far from providing a complete picture of the field, these keywords begin to elucidate a conceptual vocabulary for transgender studies. Some of the submissions offer a deep and resilient resistance to the entire project of mapping the field terminologically; some reveal yet-unrealized critical potentials for the field; some take existing terms from canonical thinkers and develop the significance for transgender studies; some offer overviews of well-known methodologies and demonstrate their applicability within transgender studies; some suggest how transgender issues play out in various fields; and some map the productive tensions between trans studies and other interdisciplines. Abjection ROBERT PHI LLI PSAbjection refers to the vague sense of horror that permeates the boundary between the self and the other. In a broader sense, the term refers to the process by which identificatory regimes exclude subjects that they render unintelligible or beyond classification. As such, the abjection of others serves to maintain or reinforce boundaries that are threatened.This term can be used to think of the instability of gendered and/or sexed bodies -especially those occupied by transgender individuals -which are at the center of academic debates surrounding queer, feminist, and trans subjectivity. Drawing on a psychoanalytic reading of subjective identity as a defensive construction and on the French literary obsession with monsters, psychoanalyst and linguist Julia Kristeva develops the term abjection in Powers of Horror: An Essay on Abjection (1982).
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