Modernization has brought negative impact to the public, including in adolescents directly or indirectly, that has directed the diversion a healthy diet. Adolescent are required to more selective in choosing food products consumed. Fast food is food containing high in calories, fat and low fibers. To know the relationship of socioeconomic status with fast food consumption levels among adolescents in Mataram city. The study was observational studies with cross sectional design. The samples as many as 373 students. Dependent variable was the consumption of fast food, and the independent variable was socioeconomic status. The instruments used were questionnaire and FFQ. Data analysis by means of descriptive, and Chi Square test (χ²). Based on the duration per week, there was a relationship between socio-economic status with the western fast food consumption levels (p = 0.00) and local fast food (p = 0.00). Moreover, adolescents with prosperous socioeconomic status have a higher consumption of fast food was very high with a duration of 1 time/week and 2 times/week. While based on the frequency, there was a significant relationship between socioeconomic status with western fast food consumption levels with p = 0.00 and local fast food with p = 0.00 influence of friends was significant with western fast food consumption levels in adolescents (p = 0.002). The habit of eating at home (lunch with p = 0.007) and the effect of mass media was significant with the local fast food consumption levels (p = 0.04). Adolescents with a prosperous socioeconomic status have greater opportunities to consume fast food than in adolescents with socioeconomic status were less prosperous.
The word ‘function’ has been elaborated in many aspects. In every single context it also has a different meaning. Despite having a specific meaning, the meaning of the word ‘function’ differs from one discipline to another. A.R. Redcliffe Brown and Bronislow K. Malinowski are the pioneers of the theory of function amongst anthropologists. Their assumption, which is based on their theoretical constructs related to social and cultural integration, has an independent system and consists of every single part or element, since every element or part is not autonomous but rather is connected to and even dependent on each other. On the other hand, every element or part of the system can exist because it is needed, or experiences an interdependency or inherence not by accident, and its whole appearance belongs entirely to the orientation of a living system. The changing of each element will have an impact on other elements. The Cirebonese masked dance can be studied from several disciplines. In this article, the Cirebonese masked dance is examined using a theory of function, especially functionalism of anthropology. In addition the dance is assumed to be a system of performance which consists of various elements that are related to each other. This article on the Cirebonese masked dance will explore its dance symbols through the mask, in relation to its religious, educational, socio-political, economic, bureaucratic, and aesthetical elements.Keywords : function, theory of function, Cirebonese masked dance, functionalism.Â
Throughout the course of its journey, topeng babakan Cirebon has become a milestone, which has coloured the course of the history of dance in West Java. This research discovers the changes and developments in topeng babakan from 1900 to 1990. The study of the subject of this tesis uses a historical approach, with the aid of social and cultural studies. Topeng Babakan is a performing folk art, the performance of which is still related to traditional ceremony such as ngunjung, mapag sri, ngarot, and so on. It spread through West Java, begining as a a traveling show or bebarang (troupe of performing beggars) at the start of the 20th century. This drew the attention of the aristocrats or menak, to learn the art of Cirebon masked theater. In it subsequent development, this dance greatly infuenced other dance forms in the Priangan region and in West Java in general. The rise and fall of topeng babakan performance activities was largely infuenced by developments in siciety, ehich constantly changed with the developments of the age, and developments in information technology and communication.Keyword : topeng babakan, bebarang, changes, and developments
Abstrak Topeng Babakan Cirebon dalam perjalanannya telah menjadi suatu tonggak yang ikut mewarnai perjalanan sejarah tari di Jawa Barat. Penelitian ini mengungkap perubahan dan perkembangan Topeng Babakan dari tahun 1900 sampai 1990. Kajian terhadap permasalahan tesis ini menggunakan metodologi sejarah, dengan bantuan ilmu sosial dan kebudayaan. Topeng Babakan merupakan seni pertunjukan rakyat yang dalam penyajiannya masih berkaitan dengan upacara-upacara tradisi, seperti ngunjung, mapagsri, ngarot dan lain-lain. Penyebarannya di Jawa Barat bermula dari pertunjukan yang dilakukan secara berkeliling atau bebarang (ngamen) pada awal abad ke-20. Hal ini menarik perhatian kaum menak (bangsawan) untuk mempelajari ketrampilan para dalang topeng Cirebon. Perkembangan berikutnya tarian ini banyak mempengaruhi bentuk tari-tarian yang ada di wilayah Priangan dan Jawa Barat secara umum. Pasang surut kegiatan pementasan Topeng Babakan banyak dipengaruhi oleh perkembangan masyarakat yang mudah berubah seiring dengan perkembangan zaman serta teknologi informasi. Kata kunci: Topeng Babakan, bebarang, perubahan dan perkembangan. Abstract Throughuot the course of its journey, topeng babakan Cirebon has became a milestone, which has coloured the course of the history of dancein West Java. This research discovers the changes and developments in topeng babakan from 1900 to 1990. The study of the subject of this tesis used a historical approach, with the aid of social and cultural studies. Topeng Babakan is a performing folk art, the performance of which is still related to traditional ceremony such as ngunjung, mapag sri, ngarot, and so on. It spread through West Java, begining as a traveling show or bebarang (troupe of performing beggars) at the start of the 20th century.This drew the attention of the aristocrats or menak, to learn the of Cirebon masked theater. In it subsequent development, this dance greatly influenced other dance forms in the Priangan region and in West Java in general. The rise and fall of topeng babakan performance activities was largely influenced by developments of the age, and developments technology and communication. Keyword: topeng babakan, bebarang, changes, and developments.
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