Abstract& Only little systematic research has examined event-related brain potentials (ERPs) elicited by the cognitive processing of music. The present study investigated how music processing is influenced by a preceding musical context, affected by the task relevance of unexpected chords, and influenced by the degree and the probability of violation. Four experiments were conducted in which

The present experiment was designed to localize the neural substrates that process music-syntactic incongruities, using magnetoencephalography (MEG). Electrically, such processing has been proposed to be indicated by early right-anterior negativity (ERAN), which is elicited by harmonically inappropriate chords occurring within a major-minor tonal context. In the present experiment, such chords elicited an early effect, taken as the magnetic equivalent of the ERAN (termed mERAN). The source of mERAN activity was localized in Broca's area and its right-hemisphere homologue, areas involved in syntactic analysis during auditory language comprehension. We find that these areas are also responsible for an analysis of incoming harmonic sequences, indicating that these regions process syntactic information that is less language-specific than previously believed.

Semantics is a key feature of language, but whether or not music can activate brain mechanisms related to the processing of semantic meaning is not known. We compared processing of semantic meaning in language and music, investigating the semantic priming effect as indexed by behavioral measures and by the N400 component of the event-related brain potential (ERP) measured by electroencephalography (EEG). Human subjects were presented visually with target words after hearing either a spoken sentence or a musical excerpt. Target words that were semantically unrelated to prime sentences elicited a larger N400 than did target words that were preceded by semantically related sentences. In addition, target words that were preceded by semantically unrelated musical primes showed a similar N400 effect, as compared to target words preceded by related musical primes. The N400 priming effect did not differ between language and music with respect to time course, strength or neural generators. Our results indicate that both music and language can prime the meaning of a word, and that music can, as language, determine physiological indices of semantic processing.

This experiment explored the effect of semantic expectancy on the processing of grammatical gender, and vice versa, in German using event-related-potentials (ERPs). Subjects were presented with correct sentences and sentences containing an article-noun gender agreement violation. The cloze probability of the nouns was either high or low. ERPs were measured on the nouns. The low-cloze nouns evoked a larger N400 than the high-cloze nouns. Gender violations elicited a left-anterior negativity (LAN, 300-600 msec) for all nouns. An additional P600 component was found only in high-cloze nouns. The N400 was independent of the gender mismatch variable; the LAN was independent of the semantic variable, whereas an interaction of the two variables was found in the P600. This finding indicates that syntactic and semantic processes are autonomous during an early processing stage, whereas these information types interact during a later processing phase.

Abstract& The present study investigated simultaneous processing of language and music using visually presented sentences and auditorily presented chord sequences. Music-syntactically regular and irregular chord functions were presented synchronously with syntactically correct or incorrect words, or with words that had either a high or a low semantic cloze probability. Music-syntactically irregular chords elicited an early right anterior negativity (ERAN). Syntactically incorrect words elicited a left anterior negativity (LAN). The LAN was clearly reduced when words were presented simultaneously with music-syntactically irregular chord functions. Processing of high and low cloze-probability words as indexed by the N400 was not affected by the presentation of irregular chord functions. In a control experiment, the LAN was not affected by physically deviant tones that elicited a mismatch negativity (MMN). Results demonstrate that processing of musical syntax (as reflected in the ERAN) interacts with the processing of linguistic syntax (as reflected in the LAN), and that this interaction is not due to a general effect of deviance-related negativities that precede an LAN. Findings thus indicate a strong overlap of neural resources involved in the processing of syntax in language and music. &

Three experiments concerning the processing of syntactic and semantic violations were conducted. Event-related potentials (ERPs) showed that semantic violations elicited an N400 response, whereas syntactic violations elicited two early negativities (150 and 350 ms) and a P600 response. No interaction between the semantic and early syntactic ERP effects was found. Sentence complexity and violation probability (25% vs. 75%) affected only the P600 and not the early negativities. The probability effect was taken as evidence that the P600 resembles the P3b. The temporal order of word processing in a sentence as suggested by the data was such that a more automatic syntactic analysis was performed (earlier syntactic-related negativities) in parallel with a semantic analysis (N400), after which a syntactic reanalysis was performed (P600). A reanalysis interpretation of the P600 could explain why the extent of the reanalysis differed with syntactic complexity and probability of ungrammaticality.

The present series of experiments explored the extent to which iconic gestures convey information not found in speech. Electroencephalogram (EEG) was recorded as participants watched videos of a person gesturing and speaking simultaneously. The experimental sentences contained an unbalanced homonym in the initial part of the sentence (e.g., She controlled the ball ...) and were disambiguated at a target word in the subsequent clause (which during the game ... vs. which during the dance ...). Coincident with the initial part of the sentence, the speaker produced an iconic gesture which supported either the dominant or the subordinate meaning. Event-related potentials were time-locked to the onset of the target word. In Experiment 1, participants were explicitly asked to judge the congruency between the initial homonym-gesture combination and the subsequent target word. The N400 at target words was found to be smaller after a congruent gesture and larger after an incongruent gesture, suggesting that listeners can use gestural information to disambiguate speech. Experiment 2 replicated the results using a less explicit task, indicating that the disambiguating effect of gesture is somewhat task-independent. Unrelated grooming movements were added to the paradigm in Experiment 3. The N400 at subordinate targets was found to be smaller after subordinate gestures and larger after dominant gestures as well as grooming, indicating that an iconic gesture can facilitate the processing of a lesser frequent word meaning. The N400 at dominant targets no longer varied as a function of the preceding gesture in Experiment 3, suggesting that the addition of meaningless movements weakened the impact of gesture. Thus, the integration of gesture and speech in comprehension does not appear to be an obligatory process but is modulated by situational factors such as the amount of observed meaningful hand movements.

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