This paper presents a secure (tamper-resistant) algorithm for watermarking images, and a methodology for digital watermarking that may be generalized to audio, video, and multimedia data. We advocate that a watermark should be constructed as an independent and identically distributed (i.i.d.) Gaussian random vector that is imperceptibly inserted in a spread-spectrum-like fashion into the perceptually most significant spectral components of the data. We argue that insertion of a watermark under this regime makes the watermark robust to signal processing operations (such as lossy compression, filtering, digital-analog and analog-digital conversion, requantization, etc.), and common geometric transformations (such as cropping, scaling, translation, and rotation) provided that the original image is available and that it can be successfully registered against the transformed watermarked image. In these cases, the watermark detector unambiguously identifies the owner. Further, the use of Gaussian noise, ensures strong resilience to multiple-document, or collusional, attacks. Experimental results are provided to support these claims, along with an exposition of pending open problems.

We describe a digital watermarking method for use in audio, image, video and multimedia data. We argue that a watermark must be placed in perceptually significant components of a signal if it is to be robust to common signal distortions and malicious attack. However, it is well known that modification of these components can lead to perceptual degradation of the signal. To avoid this, we propose to insert a watermark into the spectral components of the data using techniques analogous to spread sprectrum communications, hiding a narrow band signal in a wideband channel that is the data. The watermark is difficult for an attacker to remove, even when several individuals conspire together with independently watermarked copies of the data. It is also robust to common signal and geometric distortions such as digital-to-analog and analog-to-digital conversion, resampling, quantization, dithering, compression, rotation, translation, cropping and scaling. The same digital watermarking algorithm can be applied to all three media under consideration with only minor modifications, making it especially appropriate for multimedia products. Retrieval of the watermark unambiguously identifies the owner, and the watermark can be constructed to make counterfeiting almost impossible. We present experimental results to support these claims. A longer version of this document is available at: http://www.neci.nj.nec.com/tr/neci-tr-95-10.ps.

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We describe a digital watermarking method for use in audio, image, video and multimedia data. We argue that a watermark must be placed in perceptually significant components of a signal if it is to be robust to common signal distortions and malicious attack. However, it is well known that modification of these components can lead to perceptual degradation of the signai. To avoid this, we propose to insert a watermark into the spectral components of the data using techniques analogous to spread sprectrum communications, hiding a narrow band signal in a wideband channel that is the data. The watermark is difficult for an attacker to remove, even when several individuals conspire together with independently watermarked copies of the data. It is also robust to common signal and geometric distortions such as digital-to-analog and analog-to-digital conversion, resampling, and requantization, including dithering and recompression and rotation] translation, cropping and scaling. The same digital watermarking algorithm can be applied to all three media under consideration with only minor modifications, making it especially appropriate for multimedia products. Retrieval of the watermark unambiguously identifies the owner, and the watermark can be constructed to make counterfeiting almost impossible. Experimental results are presented to support these claims. A longer version of this document may be obtained from http://www.neci.nj.nec.com/tr/neci-tr-95-1O.p~.

Abstract. Digital watermarking is a nascent but promising technology that offers protection of unencrypted digital content. This paper is a brief technical survey of the multimedia watermarking landscape. The three main technical challenges faced by watermarking algorithms are fidelity, robustness and security. Current watermarking methods offer possibly acceptable fidelity and robustness against certain types of processing, such as data compression and noise addition, but are not sufficiently robust against geometric transforms such as scaling and cropping of images. Theoretical approaches have been developed that could lead to secure watermarking methods, but substantial gaps remain between theory and practice.

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