Abstrak: Artikel ini mendeskripsikan hasil kegiatan FGD para tokoh dan seniman musik Kalimantan Selatan dalam mengklarifikasi dan merumuskan konsep musik lagu Banjar. Oleh karenanya, artikel ini tidak disusun dalam bentuk artikel ilmiah. Kegiatan ini adalah salah satu program kegiatan Pengabdian kepada Masyarakat Prodi Pendidikan Sendratasik FKIP ULM tahun 2020. Latar belakang kegiatan FGD ini berbasis realitas atau kenyataan musik yang ada di Kalimantan Selatan. Pada sisi keilmuan musik, “musik Banjar” dan “lagu Banjar” terus digali dan dikembangkan oleh beberapa pihak. Misalnya seperti yang telah dan akan dilakukan oleh Program Studi Pendidikan Sendratasik FKIP ULM. Setidaknya hal ini nampak pada aktivitas pendidikan, penelitian, dan kegiatan pengadian kepada masyarakatnya. Orientasi ilmiah yang dituju dari aktivitas Tri Dharma tersebut tidak lain adalah: membangun dan mengembangkan keilmuan musik yang berbasis kebudayaan Banjar. Atmosfer keilmuan yang ideal itu, setidaknya dapat ditandai dengan menjawab dua pertanyaan berikut: (1) apakah musik Banjar telah menjadi satu wacana yang hadir dalam dinamika ilmu pengetahuan? (2) apakah musik Banjar kerap dibawa pada forum-forum ilmiah seperti simposium, konferensi, atau seminar ilmiah? Dari hal itu maka menjadi relevan untuk melakukan kegiatan yang bersifat diskusif, untuk dapat memetakan persoalan terkait nilai lokalitas dalam bentuk musik lagu-lagu Banjar. Kegiatan yang dianggap representatif dan relevan adalah Focus Group Disscussion (FGD). Kelompok diskusi terbatas yang terdiri dari para tokoh, ahli, dan seniman musik di Kalimantan Selatan ini memiliki target akhirnya, yaitu diperoleh suatu klarifikasi dan rumusan tentang konsep musik lagu Banjar. Target tersebut diharapkan dapat menjadi referensi pengetahuan umum maupun akademik di Kalimantan Selatan.Kata Kunci: lagu Banjar, FGD, musik tradisional, musik popular, Kalimantan Selatan Abstract: This article describes the results of the FGD activities of South Kalimantan musical figures and artists in clarifying and formulating the concept of Banjar song music. Therefore, this article is not compiled in the form of a scientific article. This activity is one of the Community Service activities for the 2020 FKIP ULM Sendratasik Education Program. The background of this FGD activity is based on reality or music reality in South Kalimantan. On the scientific side of music, "Banjar music" and "Banjar songs" continue to be explored and developed by several parties. For example, what has been and will be done by the FKIP ULM Sendratasik Education Study Program. At least this can be seen in educational activities, research, and community outreach activities. The scientific orientation aimed at the Tri Dharma activity is none other than: building and developing musical science based on Banjar culture. This ideal scientific atmosphere can at least be characterized by answering the following two questions: (1) has Banjar music become a discourse present in the dynamics of science? (2) Is Banjar music often brought up in scientific forums such as symposiums, conferences or scientific seminars? From this, it becomes relevant to carry out discussive activities, to be able to map problems related to locality values in the form of Banjar songs. The activity that is considered representative and relevant is the Focus Group Disscussion (FGD). This limited discussion group consisting of figures, experts, and musical artists in South Kalimantan has the final target, which is to obtain a clarification and formulation of the musical concept of the Banjar song. This target is expected to be a reference for general and academic knowledge in South Kalimantan.Keywords: Banjar song, FGD, traditional music, popular music, South Kalimantan
Pemanfaatan teknologi digital saat ini sangat membantu pelaksanaan pembelajaran di sekolah. Salah satunya adalah pemanfaatan media mobile learning pada pembelajaran Seni Budaya. Penelitian ini bertujuan untuk mengembangkan media pembelajaran mobile learning, khususnya pada pembelajaran Seni Budaya dengan sub materi gerak tari. Penelitian ini menggunakan metode R & D (Research and Development) dengan model ADDIE (analysis, design, development, implementation, evaluation). Responden penelitian ini adalah sejumlah siswa SMP Negeri 2 Kusan Hilir. Setelah melewati tahapan metodis, hasil penelitian ini adalah produk media pembelajaran mobile learning berbasis android. Kata kunci: media pembelajaran, mobile learning, berbasis android, seni budaya, gerak tari
Technological developments in society and their social practices contribute to the popularity of folk songs. In this regard, this study aims: (1) to analyze the form of popular Banjar song music, and (2) to analyze the discourse and culture-media context that underpins the popularity of the Banjar song. This research was conducted using qualitative methods with data collection strategies including observation, document studies, questionnaires, and interviews. In the aspect of content, analysis of the form of music is carried out in stages: (1) notating the popular Banjar song document; (2) analyzing the form/structure of the music; (3) presenting the elements of the music form, and (3) making conclusions. Meanwhile, in studying the culture-media discourse on popular Banjar songs, it is carried out using the Pierre Bourdieu’s social practice approach which focuses on the concepts of habitus, capital, and the cultural field. Based on the analysis that has been carried out, it is known that popular Banjar songs have basic forms with three variations, namely the form of one part (A), two parts (AB), and three parts (ABC). However, it shows that most of the songs that exist are in the form of two parts, with a tendency to use major tonality. This finding confirms that the popular Banjar song is a product of mass culture, namely artworks produced from the popular culture ecosystem. In this study, it is also found that social and symbolic capital in the popularity of the Banjar song becomes a social practice that takes place in the cultural field of the people of South Kalimantan. The cultural field is a social space for cultural agents to actualize the popularity of the Banjar song.
Emha Ainun Najib, or Emha, is a poet, artist, writer, thinker, and other populist designations that exist in Indonesian society. As a writer, his essays in the 1980s to the 1990s very coloring various mass media in Indonesia. There, many critical discourses and sharp in highlighting the social reality, religion, art and culture. The studies reviewed Emha thoughts in perspective philosophy of humanism. The result was found, that the thought Emha have a strong spirit in his defense to the humanitarian aspects (humanism). Spirit is supported by the value of spirituality and religiosity that leads to ethical purpose, namely a quality of “consciousness”. Humanism Emha is theistic humanism which has the potential to be used as a solution-critical reflections on the problems of social life.
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