This article asks, “How can indigenous media fulfill its obligations toward the indigenous population while also connecting with the majority?” In the entertainment television series Muitte mu, produced by the indigenous public service broadcaster NRK Sápmi in Norway, famous Norwegian artists learn to joik, a Sámi form of music. Muitte mu triggered a discussion concerning cultural appropriation and commercialization, as well as the traditionalist versus pragmatic and interethnic views of indigenous cultural expressions. One of NRK Sápmi’s goals is to share content about the Sámi, and, in a market-oriented media environment, the series uses Sámi iconography and celebrities to fulfill this goal. However, this approach does not necessarily resonate with its main obligation, which is to provide programming for the Sámi people. What is at stake in these debates are the credibility, relevance, and legitimacy of NRK Sápmi, all of which depend upon the recognition of the Sámi themselves.
This article addresses the regionalization of screen culture in Norway and Denmark, focusing on how regional screen entities in Tromsø and Aarhus are working to professionalize production and talent development at the peripheries of both countries. We outline their distinctive
characteristics and circumstances as regional hubs and delineate the key actors that constitute the respective screen ecosystems. We focus on the interplay between regional film policy, production and talent development in relation to regional development, geography, creativity, innovation
and the economy of culture. Based on an examination of policies, strategy documents and interviews conducted with practitioners in Aarhus and Tromsø over the period 2014‐19, we explore the diverse strategies these regional production hubs employ to develop and ‐ more challengingly
‐ retain talents in the region, arguing that despite the increased attention given to ‘diversity’ in film policy, structural and cultural obstacles hamper sustainable growth.
Indigenous journalism can facilitate the inclusion of Indigenous voices in the public sphere, thereby contributing to social change. Contemporary Indigenous journalism is in part facilitated by the introduction and diffusion of paradigmatic media innovations, including the Internet, mobile technology, and social media. Based on a literature review, we investigate how media innovations are understood to facilitate Indigenous journalism and find that few empirical studies directly address this question. Analyses of Indigenous journalism, reaching beyond the potential for increased access to media and for amplification of Indigenous voice, are lacking. Furthermore, little research investigates how the appropriation of new technological affordances influence the production of Indigenous journalism. Our review also indicates that while Indigenous political participation can be facilitated by media innovation, these innovations can also serve to reinforce existing power relations. We submit that more critical analytical approaches are required to investigate how media innovations might facilitate the potential of Indigenous journalism for social change.
AbstractThe creative industries have had a major impact on cultural policy, and it is often argued that these industries can be a vehicle for regional growth. Using regional film production in Norway as a case, I discuss the creative industries, the cluster concept and its impact on policy. I analyse two film policy documents from 2007 and 2015 in order to show how the issue of size and critical mass is an unsettled topic within the creative industries, and I question the relevance of film as an economic and regional development tool in a country with a small film industry, such as Norway. This article shows that the creative industries concept, adopted from international discourses, especially creative industries policies in the UK, has influenced Norwegian film policy, reducing the importance of cultural objectives and increased the focus on the business potential and economic aspects of culture.
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.