The ever-increasing use of social media in African countries is celebrated as it has provided people with more spaces for dialogue and individual expressions. Whereas such ever-increasing of the accessibility and use of social media spaces offers users with freedom and democratic paradigms to comment, opine and debate on social, economic and political agenda, it has also resulted to increasing forms of sexist hateful speech. In so doing social media spaces have also changed the nature of communication, as a result, sexists appear to locate their discriminative voices in the new online spaces unlike in the traditional outlets and mainstream forums. This form of sexist hate speech incites gendered stereotypes of whom women often receive the extremes of the malpractices because of prevalence of patriarchal social set ups in most African societies. In most cases in Africa, sexist hate speech will be used as a weapon of gender-based violence means to bully women into silence and to maintain men's privileges. By using Content Analysis and Critical Discourse Analysis approaches, this study analyzed the linguistic clues of the sexist hate speech in Facebook and Instagram social networks. On the basis of selected open accounts of Tanzanian public figures and celebrities, this study particularly observed and interrogated on how language of the users embeds ideological and social construct in order to perpetuate and exacerbate gender inequality. The study partly examined sexist hate speech in the selected Russian social media to comparatively study how sexism is construed and perceived in the community.
Over centuries the history of women representation in media is a plethora of stereotypes and stigmatisation. Findings from studies confirm that media do produce and reproduce ways of seeing our culture. In this light, this study sets out to critically analyse the representation of women in selected Tanzanian newspapers. The study particularly interrogates ways in which media discourse serves as avenue to construct women gendered stereotypes and stigmatisation to the community. Two selected newspapers namely, Ijumaa and HabariLeo were analysed through Critical Discourse Analysis and Semiotics Frameworks. Through analysis and interpretations of the selected newspapers it can be argued women representation is ideologically representative of the existing power relations that affects the women subgroup in the Tanzanian society. Thus, women representation in the selected newspaper is ascribed with gendered stereotyped and appendage roles compared to their counterparts to appeal men consumers and those with male-defined interest. However, with increasing efforts to impart awareness on equality and women rights today significant progress in ascribing women with positive roles is underway in the same way to appeal taste of the consumers of the service and products.
The study comparatively examines the representation of motherhood identities and the trauma of being childless to women in African and Indonesian literary texts namely Ngugi wa Thiong’o’s Secret Lives and other Stories, Elieshi Lema’s Parched Earth, Ratih Kumala’s Genesis and Iwan Setyawan’s Ibuk. Central to the analysis of this study is the argument that the existing cultural and religious discourses significantly contribute to the ways motherhood identities are construed in the society. Of a particular note, motherhood is argued to be a desired position that every woman wants most and is ready to sacrifice for it. Importantly, marriage, religious orientations and orders of the patriarchy certify motherhood and its related identities in the society. On the other hand, childlessness or failure to bear a male child circumscribe women in reduced forms of their identities and so subjects them to psychological and physical trauma and of course a social stigma.
This study comparatively analyses the allusion and analogies of Indonesian Presidents’ by wayang characters and stories. It particularly interrogates how wayang characters and lakon allude and mediate the personal and political identities of Indonesian presidents in the Reformasi era. The study focuses on the portrayal of President Susilo Bambang Yudhoyono and Jokowi during Reformasi era. The study is a qualitative research and deploying Textual and Critical Discourse Analysis approaches. These are to examine how language in the selected wayang kulit and wayang golek stories, as a form of social and cultural practice, constructs the personal and political identities of the presidents. Central to the analysis, Susilo Bambang Yudhoyono is in most cases alluded as Semar, and his association with selected lakon significantly inform on the political and personal identities among Indonesians and the International community. On the other hand, Jokowi is alluded to as Petruk but presenting contradicting allusions and analogies in Indonesian politics. Generally, findings suggest that the portrayal of Indonesian presidents’ identities by wayang characters and in the lakon is never fixed. The change of political atmosphere and failure to meet peoples’ expectations culminate in changes on the portrayal of political and personal identities of presidents.
With the ever-increasing outbreak of intrastate and interstate wars since the mid-20th century, Africa has experienced mass displacement of people which has subsequently resulted in an increase of displaced communities in the world. From these displaced communities, African refugees constitute a significant share of the total displaced people in the globe, which count to 68.5 million people. The present study explored representation of traumas of displacement in Marie Therese Toyis Weep Not, Refugee. The study deployed Ruth Caruths tenets of trauma studies in literature. The findings of the study affirm the authors use Weep Not Refugee to explore the significant contribution of displacement to delineate and circumscribe Burundian refugees with traumatised and reduced identities in areas of displacement. In most cases, the journey of leaving home and later their lives in refuge of Burundians are explicated to be surrounded by tragic experience and reduced identities that ascribe them to burden and non-entity beings. Moreover, the authors provide an opportunity for readers to explore displacement and its significant contribution to the constructions of cultural trauma among refugees. Because of ethnic war which has led to displacement of Burundians to other areas, Burundians have to lose some cultural aspects and invent new ones for the sake of cultural adjustment in the foreign land they are hosted.Keywords: displacement, reduced identities, trauma
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