Acoustic correlates of stress [duration, fundamental frequency (F₀), and intensity] were investigated in a language (Thai) in which both duration and F₀ are employed to signal lexical contrasts. Stimuli consisted of 25 pairs of segmentally/tonally identical, syntactically ambiguous sentences. The first member of each sentence pair contained a two-syllable noun-verb sequence exhibiting a strong-strong (– –) stress pattern, the second member a two-syllable noun compound exhibiting a weak-strong (˘ –)stress pattern. Measures were taken of five prosodic dimensions of the rhyme portion of the target syllable: duration, average F₀, F₀ standard deviation, average intensity, and intensity standard deviation. Results of linear regression indicated that duration is the predominant cue in signaling the distinction between stressed and unstressed syllables in Thai. Discriminant analysis showed a stress classification accuracy rate of over 99%. Findings are discussed in relation to the varying roles that F₀, intensity, and duration have in different languages given their phonological structure.
It is well known that tones assimilate in much the same way as consonants and vowels do. In tonal assimilation, the height and shape of a given tone is altered by adjacent tones. Earlier studies on tonal assimilation in Thai have used two-tone sequences with an intervening obstruent between the two tones of interest. In the present study, three-tone sequences were used with continuously voiced syllables throughout the utterance. Assimilatory effects were expected to be greater between F₀ contours of two successive syllables that are continuous in voicing across the syllable boundary. Stimuli consisted of 125 possible three-tone sequences of the five Thai tones, superimposed on monosyllabic words in a carrier sentence. All syllables were stressed in order to eliminate potentially confounding interactions between stress and tonal assimilation. Acoustic analysis revealed that perseverative effects were assimilatory in nature; anticipatory effects, however, were dissimilatory in nature. Perseverative effects appear to be independent of tonal categories, and restricted to contiguous tones. Perseverative effects extend through more than half the duration of the following tone. Both the height and shape of the tones are affected. Anticipatory effects, on the other hand, are limited to the high and rising tones, and extend through less than half the duration of the preceding tone.
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