Penelitian ini akan membahas bagaimana digitalisasi dalam industri musik mempunyai dampak pada pemasaran musik. Hal tersebut berdampak besar bagi para pelaku industri dalam hal pemasaran musik maupun konsumen dalam hal menikmati musik. Layanan streaming menjadi sesuatu yang sangat berpengaruh dalam era digital yang kita kenal industri 4.0. Industri musik tidak lagi dapat bergantung pada produk fisik dan konsumen pun kini lebih selektif dalam menikmati musik. .Metode yang digunakan pada penelitian ini adalah metode kualitatif dengan strategi penelitian fenomenologi tentang apa yang dialami oleh subjek penelitian, seperti; perilaku, persepsi,motivasi, tindakan, dan lain-lain secara holistik dan dengan cara deskripsi dalam bentuk kata-kata dan bahasa. Hasil penelitian ini adalah bagi konsumen  adalah mudahnya pencarian musikdan pelaku industri sangat mendukung adanya digitalisasi dalam industri musik karena mempermudah dalam memasarkan musik mereka dan membantu melindungi kekayaan intelektual mereka karena mengurangi pembajakan.

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This study aims to discover and to analyze how interfaith couples negotiate their identities with each other. In Indonesia, especially in Jakarta, individuals often meet and interact with people from different backgrounds and as a result, some fall in love. However, partners who belong to distinct cultures will encounter numerous obstacles and will specifically face resistance from their social environment. This study uses a qualitative research methodology with the constructivist paradigm. The results of this study revealed that religious identity is not an obstacle for respondents to proceed to the stage of marriage. However, identity negotiation is required for couples to obtain the blessings of their social environments, which in this case concern the family of one party.

<p>This research aims to identify the Self formed by Self-Presentation through different social media channels. This presentation of the Self's process is known as Dramaturgy. This study also identifies the Dramaturgy carried out by this study's participants by considering the Doxa, Habitus, Arena, and Capital surrounding the participants. Frameworks of this research are Goffman's Presentation of Self and Dramaturgy; and Bourdieu's Logic of Practice. This research relies on the constructivism paradigm, using a qualitative and in-depth interview to collect data. The founding of this research, Fragmented Self, occurred when participants presented Self on social media. Digital Dramaturgy takes place by considering the participant's Doxa, Habitus, Field, and Capital. The results convey how participants arrange the most likely symbolic Capital by showing their attitude to their impression management. In other fields, participants prefer showing their social Capital through friendship photos or community popularity as the front stage. Others keep their Capital and only stalk friends' social media accounts to be duplicated in other fields. To sum up, the presentation of the Self is fragmented, considering doxa, habitus, arena, and Capital to manage impressions needed in digital Dramaturgy—this Self, namely Fragmented-Self.</p><p> </p><p><em>Keywords: Digital Dramaturgy, Self, Doxa, Habitus, Capital</em></p>

This writing aimed to identify panopticism of normal body discourse to advertisement audiences. In addition, this study also aimed to identify the truth game of the normal body discourse in the media. There are some key concepts used as frameworks, particularly Michel Foucault’s panopticism, discipline of bodies, power relations and discourse relations. It also used a framework of advertisement in critical perspectives and the philosophy of bodies to enrich the analysis. The paradigm of this writing was critical constructionism. This was a descriptive qualitative research and the data collection techniques were depth interviews with obese women based on BMI standards. This study identified Patriarchy Panopticism, a game of truth of normal body discourse, and the discourse of normal healthy body in media, especially in advertisement as the results. Patriarchy panopticism occurs when discourse and discipline resides invisibly, without coercion and productively maintain the discourse through self-surveillance. At the end, media is only a way to enlarge of Patriarchy Panopticism and used to perpetuate the ideology of patriarchy in the society.   Keywords: panopticism, patriarchy, discourse, truth-game, power, advertisement