Based on the theoretical ideas of scholars in the field of dance, the article analyses the significance of correct breathing and its usage in movement performance in classical and modern dance acquisition. The most important condition for dancers is the daily workout, which develops an understanding of basic components of movements, one of the most significant being correct breathing. Application of correct breathing facilitates a comprehension among dancers of the possibilities of the body – the amplitude and quality of performed movements, as well as the ability to control the strength necessary for movement performance. This article aims to analyse the meaning of correct breathing and to justify its use among dancers acquiring classical and modern dance. The article makes use of the theoretical research method – characterising differences between classical and modern dance acquisition, analysing breathing and its correct usage during a dance performance.
The article explores development possibilities of future dance teachers’ interpretation skills based on the findings on interpretation and its underlying components in the dance by philosophy and theory scientists. Dance is a combination of movement and art - a specific form, a system of codes with certain elements. Dance as a work of art – a cultural product – is characterized exactly by its interpretation eventuality – performer’s artistic activity. Interpretation possibility in dance is determined by knowledge, skills and skills in dance language, as well as the use of this language within a certain dance genre and style in expressing one’s individual style and message. Aim of the Article is to analyze key components of Dance Interpretation and to substantiate their importance for encouraging Dance Teacher Interpretation Skills. The Article use both theoretical research method and scientific knowledge and observations during practical work at Riga Teacher Training and Educational Management Academy (RTTEMA).
<p><em>Based on dance theorist insights into the basic components that determine performance of movements in dance, the article analyses promotion of a sense of bodily centre in classical and modern dance training. The most significant condition for a dancer to be able to fit within the confines of the proposed tasks in dance is to govern own body, which is made easier through an understanding of the body’s centre of gravity. Promoting an awareness of muscle activity being fixated within the central point of the body develops an understanding of movements around this point among dancers, which leads to easier control over performed movements. </em></p><p><em>The article aims to analyse the awareness of the body’s centre among dancers and to justify its significance in classical and modern dance training. The article applies the theoretical research method – it characterises classical and modern dance and analyses the sense of body centre in dance. </em></p><p> </p>
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